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West Side Story: The Making of Lincoln Center

PODCAST Steven Spielberg’s new version of West Side Story is here — and it’s fantastic — so we’re re-visiting our 2016 show on the history of Lincoln Center, with a new show introduction discussing the film and the passing of musical icon Stephen Sondheim.

Warm up the orchestra, lace up your dance slippers, and bring the diva to the stage! For our latest show we’re telling the origin story of Lincoln Center, the fine arts campus which assembles some of the city’s finest music and theatrical institutions to create the classiest 16.3 acres in New York City.

Lincoln Center was created out of an urgent necessity, bringing together the New York Philharmonic, the New York City Ballet, the Metropolitan Opera, the Julliard School and other august fine-arts companies as a way of providing a permanent home for American culture.

However this tale of Robert Moses urban renewal philosophies and the survival of storied institutions has a tragic twist. The campus sits on the site of a former neighborhood named San Juan Hill, home to thousands of African American and Puerto Rican families in the mid 20th century. No trace of this neighborhood exists today.

Or, should we say, ALMOST no trace. San Juan Hill exists, at least briefly, within a part of classic American cinema.

The Oscar-winning film West Side Story, based on the celebrated musical, was partially filmed here. The movie reflects many realities of the neighborhood and involves talents who would be, ahem, instrumental in Lincoln Center’s continued successes.

FEATURING Leonard Bernstein, Leontyne Price, James Earl Jones, Imelda Marcos, David Geffen and, naturally, the Nutcracker!


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The Metropolitan Opera House, in 1904. In the far distance, you see One Times Square being constructed in Longacre Square.

Courtesy MCNY
Courtesy MCNY

The New York City Ballet had its first home at City Center while the New York Philharmonic was housed for decades at Carnegie Hall.

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Below: Lincoln Square, 1920. This picture is actually taken from the spot where Lincoln Center stands today.

The triangular plaza pictured here would later be called Dante Park (a statue to the Italian writer would be placed here a year after this photo was taken). Take note of the 9th Avenue elevated streaking up Columbus Avenue at the bottom of this image.

Arthur Hosking/Museum of the City of New York
Arthur Hosking/Museum of the City of New York

And that building to the right? That’s the Hotel Empire which is still standing there today (albeit in a greatly modified form). Here’s an ad for the Empire from 1909.

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Robert Moses’ slum clearance plan for San Juan Hill, published in 1956.

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Scenes from old San Juan Hill — 1932, 65th Street and Amsterdam Avenue

Charles Von Urban/MCNY
Charles Von Urban/MCNY

1939 — the stoop scene in San Juan Hill, street unknown

Courtesy MCNY Lee Sievan (1907-1990). San Juan Hill. 1939
Courtesy MCNY Lee Sievan (1907-1990). San Juan Hill. 1939

Below: An early effort to improve the housing quality in the neighborhood — the Phipps Houses, built in 1906.

An interesting New York Times article describes a few residents: “A typical tenant was the steamboat steward Joseph Craig, 36, classed as ‘mulatto’, who was born in Trinidad and arrived in the United States in 1891. Another was the horse breeder Daniel Moore, 43, born in Missouri and married for six years to Tilly Moore, 30, born in Cuba and in the United States since 1892; she worked as a domestic.”

MCNY
MCNY

The scene in April of 1963. The Philharmonic Hall was already opened by this point. This really brings home the fact that there must have been so much noise pollution due to construction which must have perturbed the organizers of the Philharmonic greatly!

(MATTSON/DAILYNEWS)
(MATTSON/DAILYNEWS)

The opening sequence of the Oscar-winning film West Side Story was filmed on the streets of San Juan Hill, the structures around the actors clearly boarded up and ready for demolition.

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(The website Tom mentioned on the show — Pop Spots NYC — shows a very detailed comparison of film scenes with maps and old photographs. Highly recommended!)

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An overhead view of Lincoln Center in 1969 with most of the major venues completed by this point. At the bottom right you see the Empire Hotel, then (moving clockwise around the fountain): the New York State Theater, Damrosch Park, the Metropolitan Opera House, the library and the Vivian Beaumont Theater and Philharmonic Hall.

Getty Images
Getty Images

Philharmonic Hall, later Avery Fisher Hall, then David Geffen Hall — designed by Max Abramovitz.

MCNY
MCNY

The Metropolitan Opera House, designed by Wallace Harrison.

MCNY/Edmund Vincent Gillon
MCNY/Edmund Vincent Gillon

The New York State Theater, later the David H. Koch Theater.

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Opening night at the New York State Theater, April 24, 1964

Bettman/Corbis
Bettman/Corbis
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Eero Saarinen’s Vivian Beaumont Theater, the reflecting pool featuring a sculpture by Henry Moore, and the Julliard School, designed by Pietro Belluschi.

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Patricia McBride and Edward Villella in front of the unfinished New York State Theater at Lincoln Center, in Tarantella costume, choreography by George Balanchine, 1964

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Patricia Wilde and Andre Prokovsky in Raymonda posing in front of fountain in plaza at Lincoln Center, choreography by George Balanchine, 1965

Courtesy NYPL
Courtesy NYPL

Program from the 1967 revival of South Pacific which played at the New York State Theatre……

NYPL
NYPL

….starring Florence Henderson as Nellie Forbush! Here she is with Richard Rodgers and Georgio Tozzi (who played Emile de Becque).

NYPL
NYPL

The plaza at Lincoln Center is always a place where surprises greet visitors. Here’s an image from a couple years ago of a video installation which sat in front of the fountain:

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And 2019 when they hosted the premiere of Game of Thrones. With a life-size dragon!

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Martin Scorsese! He introduced a screening of his film The Age of Innocence at the New York Film Festival.

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FURTHER LISTENING

Back catalog episodes mentioned on show or shows with similar themes that we think you’ll enjoy.

America’s first holiday Nutcracker, before Balanchine

Ballerinas in their first flight of The Nutcracker: the Ballet Russe at the 51st Street Theater, 1940 (Picture courtesy the New York Times)

Few ballet productions of the last century had more influence on American culture than George Balanchine’s 1954 edition of Tchaikovsky’s The Nutcracker, as performed by the New York City Ballet. Although not purely conceived as a Christmastime show, the characters of The Nutcracker were welcomed into the pantheon of holiday images from the moment they appeared on opening night, February 2, 1954, fueled by multiple television appearances during the ’50s and ’60s.

Far from simply presenting the show as originally seen in Russia and throughout Europe in the 1930s, Balanchine made notable changes to the full-length work that have stayed firm even within modern presentations of the ballet. Balanchine’s footwork has also been largely preserved.

But if Balanchine is responsible for making The Nutcracker a valuable holiday tradition, then it is with grief that I inform you that Balanchine’s troupe was not the first to perform The Nutcracker in New York. In fact, his was 14 years too late for that distinction.

The first appearance of The Nutcracker on American soil was performed by the Ballet Russe de Monte Carlo, an offshoot of the great Ballet Russe that eventually splintered into two rival companies. As a united company, they had toured the country in the 1910s, making their New York debut on January 17, 1916, with a selection of shows, including Schéhérezade. By the 1930s, they were two separate, warring ballet troupes; both toured the United States, sometimes to great confusion.

The Ballet Russe de Monte Carlo, under the direction of Sergei Denham, made the 51st Street Theatre their home for their 1940 season. On October 17th, they unfurled their version of The Nutcracker for the very first time, an abridged, one-act version staged by choreographer Alexandra Fedorova.(At left, the cover of a Ballet Russe program from the 1940-41 season.)

It can’t have been that well received because it took four whole years for another production to appear, in San Francisco in 1944.

Balanchine of course was quite aware of these productions; he’d choreographed for both versions of the Ballet Russes, was an adviser on the San Francisco show and had even danced in the show himself, back as a young man in St. Petersburg. He would bring all these experiences into his version which would eventually pirouette into an annual holiday tradition.

The New York City Ballet still performs the show annually; you can check in here for tickets and showtimes, through January 2. If you want to look in on the original stage on which the ballet was first performed, it’ll definitely be open on Christmas Day. The 51st Street Theater now houses the inter-denominational Times Square Church.

HOW NEW YORK SAVED CHRISTMAS Throughout the week I’ll spotlight a few more events in New York history that actually helped establish the standard Christmas traditions many Americans celebrate today. Not just New York-centric events like the Rockefeller Christmas Tree or the Rockettes, but actual components of the holiday festivities that are practiced in America and around the world today. We started this series last year; click hereto read past entries.