Film History Podcasts

The Magic of the Movie Theater: A History of Palaces and Arthouses

PODCAST In celebration of 125 years of movie exhibition in New York City — from vaudeville houses to movie palaces, from arthouses to multiplexes.

On April 23, 1896 an invention called the Vitascope projected moving images onto a screen at a Midtown Manhattan vaudeville theater named Koster and Bial’s Music Hall.

The business of movies was born.

By the late 1910s, the movies were big, but the theaters were getting bigger! Thanks to men like architect Thomas Lamb and the impresario Samuel ‘Roxy’ Rothafel, movie theaters in New York City grew larger and more opulent.

And in Times Square, they were so large that the became known as palaces — the Capitol, the Rialto, the Rivoli, the Strand, the Roxy. They were soon joined by the granddaddy of them all: Radio City Music Hall.

Even by the 1940s, movie theaters were a mix of film and live acts — singers, dancers, animal acrobats and the drama of a Wurlitzer organ!

But a major case at the Supreme Court brought a change to American film exhibition and diversity to the screen — both low brow (grindhouse) and high brow (foreign films and ‘art’ movies).

Today’s greatest arthouse cinemas trace their lineage back to the late 1960s/early 1970s and the new conception of movies as an art form.

Can these theaters survive the perennial villain of the movies (i.e. television) AND the current challenges of a pandemic?

FEATURING: All your favorite New York City movie theaters from A (Angelika) to Z (Ziegfeld).

Listen now on your favorite podcast player:

A special thanks to the website Cinema Treasures for inspiring us for many years and sending us out on many journeys, looking for the great old movie theaters of yore.

Gloria Swanson in The Love of Sunya, which played on the Roxy’s opening night — March 11, 1927.

Gloria Swanson in the ruins of the Roxy Theatre, October 1960.

Eliot Elisofon for Life Magazine
Koster and Bials at 34th Street — location of the first projected movie program for theatrical audiences in the United States.
As with many of his ‘inventions’, Edison did not actually invent the Vitascope. But he bought the rights to say he did!
UNITED STATES – CIRCA 1925: Marcus Loew, Founder Of Loews Cinemas, In 1925, Usa. (Photo by Keystone-France/Gamma-Keystone via Getty Images)
The Strand Theatre, 1914
The Capitol Theater, 1920
Fox’s Japanese Garden Theatre, at Broadway and 96th Street on the Upper West Side, 1920. Courtesy Museum of the City of New York
Satisfied New York filmgoers at the Roxy exit into the lobby, May 1943. The 6,000-seat Roxy Theatre, at 153 W. 50th Street, “often cited as the most impressive movie palace ever built” according to Cinema Treasures. Movies at the Roxy were presented with live orchestras and vocals. In this case, the film was the Tyrone Power war thriller ‘Crash Dive’, accompanied by Jimmy Dorsey and His Orchestra and vocalists Bob Eberly and Kitty Kallen.
The interior of the Roxy Theater 1932 (Library of Congress)
1945 — Head usherette Capt. Rosemary Smith inspects line of uniformed usherettes who are holding gloved hands up to be examined, Roxy Theater, New York City. (Al Ravenna/Library of Congress)
Courtesy In Cinerama
In Cinerama
More information on the Paris Theatre here. Courtesy the Paris Theatre
More information on the Ziegfeld Theater here. (Photo courtesy Ziegfeld Ballroom)

After listening to The Magic of the Movie Theater, check out these similar themed shows from our back catalog:

Nickelodeons and Movie Palaces: New York and the Film Industry 1893-1920
Times Square in the 1970s: Grindhouses, peep shows and XXX neon nostalgia
Radio City Music Hall

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1 reply on “The Magic of the Movie Theater: A History of Palaces and Arthouses”

Great podcast. I usually listen while at the gym. Did I miss you mentioning the Bleeker Street Cinema? When I left Cleveland in June of 1963 to move to New York, our local art house was showing an Ingmar Bergman festival. When I arrived in the village, the Bleeker Street Cinema was presenting a Marx Brothers festival and I knew I had REALLY arrived.

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