Categories
Bowery Boys Movie Club

Breakfast At Tiffany’s: An aging classic, ‘mean reds’ in a little black dress

The new episode of the Bowery Boys Movie Club explores the film Breakfast At Tiffany’s and the rich historical context of early 1960s New York City. An exclusive podcast for those who support us on Patreon.

In the film version of Truman Capote‘s daring 1958 novella — starring Audrey Hepburn and George Peppard— New York City provides the elegant backdrop to a romantic fable dripping in diamonds and booze.

Holly Golightly lives in her own fantasy world, and from her Upper East Side apartment, she seduces wealthy strangers and entertains a roster of outcasts and oddballs. From glamorous dates at the 21 Club to visits with her mobster ‘friend’ in Sing Sing Prison, Holly paints for herself a glamorous life — even through bouts of the ‘mean reds’.

But when a handsome writer moves into the building — a man with his own complicated relationships (hello, Patricia Neal!) — will Holly find in him, as the song goes, a fellow ‘drifter, off to see the world’?

Listen in as Greg and Tom recap the story and explore some of the historical context for the film. Featuring a dreamy lineup of New York locations including the Central Park, the Seagram Building, the New York Public Library and, of course, Tiffany and Co.

PLUS: What to do with Mickey Rooney.

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Categories
Brooklyn History

Ten fabulous facts about 70 Willow Street, Brooklyn Heights, aka ‘the Truman Capote house’

The strange, yellow Brooklyn Heights mansion best known as the home where Truman Capote wrote ‘Breakfast At Tiffany’s’ has finally been sold for $12 million, after many months of humbling markdowns from its original hefty pricetag.
Located in the heart of old Brooklyn, the new owners will be winning more than a literary prize. The house has a rather unusual past full of influential inhabitants and has been used in some curious ways:
1) 70 Willow Street, in the popular Greek revival style of the day, was built in 1839 by Adrian Van Sinderen, the descendant of original Dutch settlers in New Amsterdam and a fiery Revolutionary War-era reverend from Flatbush, Ulpianus Van Sinderen. Van Sinderen’s lavish urban villa — it has almost a dozen fireplaces — is one of the oldest houses in the neighborhood, but not the oldest. There are a few neighboring houses that are older, including 24 Middagh Street, just a couple blocks away and built in 1824.
2) The house passed to his son Adrian Jr., a prominent New York lawyer, who fell spectacularly from grace when he mishandled the family trust. He died nearly penniless and alone in New Lots, far outside the sphere of wealth, in 1864. (There’s an avenue near that east Brooklyn neighborhood named for the Van Sinderen family.) His descendants appear to have done better. Another Adrian Van Sinderen has an annual book-collecting competition named for him at Yale University.
3) The ‘estate of Van Sinderen’, as it was often called then, was built for a single family, but by the late 1860s, the roomy floors were being split up for several tenants. From an October 1869 classified ad in the Brooklyn Eagle:”One large, handsomely furnished second floor room for gentleman and wife or gentlemen willing to room together.”***

4) The primary resident during the late 19th century was the banker William Putnam, better known as a significant trustee for the Brooklyn Museum in its early years. He betrothed to the museum paintings by Rembrandt and Monet, as well as some ‘Royal Copenhagen  porcelain’ that rivaled that of European rulers, according to the Times.

5) The house was a pivotal location for the women’s suffrage movement. Scratch that, the anti-women’s suffrage movement. The newly married lady of the house, Caroline Putnam, and her sister Lillian joined other local ladies of means in organizing protests against granting women the right to vote or, in the words of their 1894 petition, to protest “the obligations of the ballot upon the women of the state.” Mrs. Putnam also hosted French conservation classes and literary salons from her parlor here. [source]
The picture at top shows the house as it looked in 1922. At right, the home in 1936. (Pictures courtesy New York Public Library.)
6) After Mrs. Putnam died in 1940, the house sat entirely vacant until 1944, when it was donated to the Red Cross. They used the house as a classroom, teaching arts and crafts, Braille to the blind and cooking classes to the wives of returning soldiers from World War II.

7) In 1953, the old house landed in the hands of renown Broadway stage designer Oliver Smith, responsible for the original scenery from great American musicals like Oklahoma!, Guys and Dolls and West Side Story. In his lifetime, he was nominated for 25 Tony Awards. With some of his earnings from the musical On The Town, Smith bought 70 Willow Street and lived here until he died in 1994.

8) From 1955 to 1965, he lent the basement apartment to his friend Truman Capote. The blond Southern writer was simply wild about Brooklyn Heights and basically charmed himself into a permanent room on Willow Street. From his essay ‘A House on the Heights,‘ Capote describes, “We [Smith and Capote] sat on the porch consulting Martinis — I urged him to have one more, another. It got to be quite late, he began to see my point; yes, twenty-eight rooms were rather a lot; and yes it seemed only fair that I should have some of them.”

9) Decked out in green wallpaper and odd knickknacks, “an atmosphere of perpetual Christmas,” the house would prove a place of great inspiration for Capote. He wrote part of ‘Breakfast At Tiffany’s‘ here. Perhaps more notably, it was here that he picked up a New York Times are read about the brutal slaying of a Kansas family. Capote set about working on what became ‘In Cold Blood‘ the next day.

10) I can’t leave the tale of 70 Willow Street without mentioning one of its most famous lunch guests — Jackie Kennedy. Capote conveniently left out the fact that the house was Smith’s, not his. “She laughed about it, because suddenly in the middle of lunch she got the idea that it wasn’t his,” Smith recalled later. “I suppose I acted as if it were mine.”

And here’s some literary bonus points — it’s just down the street from the old home of Arthur Miller (155 Willow Street)

***A reader emailed me to say that the addresses for Willow Street were differently numbered before 1865 and that this ad probably refers to a neighbor of 70 Willow Street. In that case, I’ll replace that fact with one I should have mentioned in the lede of this article — as reported by Brownstoner, the $12 million final price tag for 70 Willow Street makes it the most expensive house purchase in Brooklyn history. Does this mean that nobody has yet bought my dream apartment in DUMBO?

Categories
Podcasts

PODCAST: Breakfast at Tiffany & Co.

You’ll be surprised by Tiffany’s 170-year history as a vanguard in New York luxury. See how they went from selling horse whips to world class diamonds.

Listen to it for free on iTunes or other podcasting services. Or you can download or listen to it HERE

The original Tiffany & Young location on downtown Broadway

Charles Tiffany, the ‘King of Diamonds’

Outside of his gems, the most curious item that Tiffany probably ever sold in his store were leftover bits of the Atlantic cable. This is probably the only instance in history where cable wires became a luxury item.

No amount of cable, however, drew the kind of crowds that the Tiffany diamond did:

Here’s a promo pic of Audrey Hepburn wearing the Tiffany diamond. After this photoshoot, the necklace was dismantled. The diamond has not been worn since.

Sparkletack has a great podcast on the Great Diamond Hoax that vexed Charles Tiffany and various other wealthy gents.

And who are the Tiffany girls?

They’re not counter girls at the jewelry store, but rather workers in the studio of Louis Comfort Tiffany. The studios were on 25th street and (then) Fourth Avenue. This team of largely unmarried women enjoyed a unique privledge in the history of the female workforce — they were paid the same as their male counterparts. More information here.

And finally, onto the end of this weeks blog series:

Meloncholy
1. Breakfast At Tiffany’s
A little windowshopping

This serene, wistful and deceptively simple scene — Holly gets out of a cab, dreams of Tiffany jewels, walks down 57th street — displays New York at its best. Filmed on an early Sunday morning — the first time in decades Tiffany had ever opened its doors on a Sunday — just off camera were hundreds of Audrey fans and gawkers watching the progress of the filming.

According to director Blake Edwards, traffic was not controlled; they just happened to catch a few moments with NO automobiles on the street. (I find this almost impossible to believe, by the way.)

However, Audrey was often distracted and the scene required several takes. Also, she was not a fan of Danish pastries, making these multiple takes of her nibbling on one especially taxing.

As the legend goes, however, a crew member was almost electrocuted on a piece of equipment off camera. The accident sent a chill through the crew, and Audrey then snapped into focus, completing the scene. I do wonder how close to electrocution that crew member really was, but it is a nice legend attached to the famous scene.

It should be noted that lovely, slinky Audrey had just had a baby three months prior to shooting.