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Friday Night Fever

Recollections of the Electric Circus: “If you remembered much of what happened, you weren’t really there.”

The interior of the Electric Circus on St. Mark’s Place. Pic courtesy Christian Montone/flickr

WARNING The article contains a couple light spoilers about last night’s ‘Mad Men’ on AMC.  If you’re a fan of the show, come back once you’re watched the episode.  But these posts are about a specific element of New York history from the 1960s and can be read even by those who don’t watch the show at all.  You can find other articles in this series here

Almost predictably, a couple characters from ‘Mad Men‘ finally interact with a psychedelic temple of Andy Warhol, in this case the nightclub Electric Circus at 19-25 St. Mark’s Place, today the site of a Chipotle and a Supercuts.

As I wrote back in an article from 2007: “It became the East Village fuse box for Warhol’s talents and those of his entourage, in particular the Velvet Underground and Nico.  The dazzling synthesis of psychedelica and glamour, of the Velvet’s strange atmospheric music and Warhol’s performance displays of lights and costumes, immediately attracted the scenesters to this odd little street — according to the New York Times, “everyone from hippies to Tom Wolfe and George Plimpton” — way before St. Marks would make its reputation in the 1970s with the punk scene.”

An original ad from the Electic Circus, summer of 1967 (courtesy butdoesitfloat)

Since I wrote that article, many people have chimed in within the comments section to relive their memories of Electric Circus.  Here are a few of my favorite comments from those who were actually there:

“What memories.  I started working at the E.C. as a ticket taker.  I say working, but in reality we didn’t get paid, we got let in for our work.  Like Woodstock, if you remembered much of what happened at the E.C. you weren’t really there.” – Being the Best

Below: Headline from the Village Voice, July 6, 1967

“I worked at the Electric Circus, 67-68-ish.  I was the fire-eater, and mime/clown, working with another mime named Michael Grando.  Larry Pizoni was the director of the circus show.  We had a trapeze artist named Sandy [Alexander], and security was a biker club called the Aliens (which worked, unlike Altamont).

Everytime I’m in New York, in the East Village, I stop on St Mark’s and bow my head.  I wanted to have someone put up a plaque, but nobody in the stores knew who to call.” – Richard Bluejay

“I was one of 5 or 6 people who worked at Limbo* for number of years across from the Electric Circus.  I was there at the opening night, and then on for a long time I remember we use to give discounts to the Circus employees so we get in free. Can not tell you how many times I was in there but it was a lot!!!!  It was great time back then.  Fillmore East was around the corner and Max’s Kansas City was not far away.  East Village was where it was at back then ” – Anonymous

A freakout-indusing video from Electric Circus, scored to the music of Frank Zappa: 

“I remember two things about the electric circus from my one visit in 1969. One was the fact that the walls were not at a right angle to the floor, which combined with the strobe lights and swirling crowd, made for a delightfully disorienting experience. The other was a dark room off to the side where couples — or even strangers I suppose — could sit and smooch. In addition to all kinds of nooks and crannies for this purpose there was a rotating upholstered carousel in the middle of the room, divided into sections, one per couple.” — Anonymous

Below: A typical crowd on the stairs outside the Electric Circus (pic courtesy Old New York)

“I’m so excited, after all these decades to hear from people who got to experience the the most amazing Electric Circus, as I did.  By far dancing myself into a dazed, psychedelic trance, while absorbing the magical energy of the Chambers Brothers sing ‘Time’, was right up there in my top ten of life altering experiences.  I was a runaway, living with new friends in the Village.

I used to panhandle on St. Marks Place, and spend all my money on clothes at the Limbo, pizza, and tickets to hear my fav bands, except for the times I used to get in for free.” — Sonny

Below: Sonny’s jam from the floor of the Electric Circus:

“I can’t remember exactly how I arrived at St. Marks Place that first night.  I had never been to St Marks Place and I certainly didn’t know about Electic Circus.  I was just following a friend of mine who was interested enough in the new culture to find out where to go and what to do.

There must have been some kind of happening that night because the streets were full of people.  People were hanging all over the stairs leading up to the Circus.  And, you didn’t have to pay.  We just walked in. I still remember it emotionally.

The big room was completely decorated with fabric amorphously draped on walls and spanning corners and cornices.  Projectors behind the fabric ran continuous short loops of films. Of course it was dimly lit so as not to wash out the films.  People were everywhere and moved mysteriously in the smoky dim light.  I was born in Brooklyn and had already lived a few years in Manhattan, but I never saw anything like this before.  The next time I saw EC the decor had changed. I never paid to get in because I was a member of the PABLO Light** show.” — Anonymous

* Limbo was a famed ‘hippie clothing’ boutique where today’s Trash & Vaudeville sits today.

** That would be Lights By Pablo, a leading ‘liquid light show’ exhibitor of the late 1960s, frequently here and at Fillmore East.

Categories
Neighborhoods Podcasts

St. Mark’s Place: It’s Party Time in the East Village!

PODCAST: The big, brash history of St. Mark’s Place, the East Village’s most interesting street.

St. Mark’s Place may be named for a saint but it’s been a street full of sinners for much of its history.

One of the most fascinating streets in the city, St. Mark’s traces its story back to Peter Stuyvesant, meets up with the wife of Alexander Hamilton in the 1830s, experiences the incredible influx of German and Polish immigrants in the late 19th century, then veers into the heart of counter-culture — from the political activism of Abbie Hoffman to the glamorously psychedelic parties of Andy Warhol.

And that’s when the party really gets started! St. Mark’s is known for music, fashion, rebellion and pandemonium. In the 1970s and 80s, clothing stores like Limbo and club nights like Club 57 helped define its character — punk, new wave, alternative, raucous.


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Stuyvesant Street superimposed over the planned grid. Ultimately the street was allowed to remain, breaking the grid. By the way, see that green patch at the far right? That was also a cemetery.

Courtesy EV Transitions
Courtesy EV Transitions

The front of 22 St. Mark’s Place from a 1914 history book. (It looks almost identical to 20 St. Mark’s, the old Daniel LeRoy House, which is still there.). “It had a tea room in the rear of the first floor, which [the tenant] altered into a library, constructing a bathroom in connection with it. A new bedroom was added above the library, and in the basement was installed a cook.” [source]

1

Deutsch-Amerikanische-Schützen Gesellschaft (German-American Shooting Society) building, 12 St. Mark’s Place, pictured here in 1975 in a photograph by Edmund Gillon

Courtesy Museum of the City of New York
Courtesy Museum of the City of New York

St. Mark’s Place and Third Avenue in 1914, the same year as the shootout at Arlington Hall! The Third Avenue elevated train framed St. Mark’s on the west end, the Second Avenue elevated (which actually ran along First Avenue in the East Village) to the east.

Courtesy Museum of the City of New York
Courtesy Museum of the City of New York

The mugshot of Dopey Benny whose gang was involved in the shootout which killed a city official.

dopey

A photo by Victor George Macarol of the boutique Manic Panic (and a man in meditation), 1975

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The south side of St. Mark’s Place, 1975

EV Grieve
EV Grieve

Crowds waiting to get into the Electric Circus

courtesy Alex Ross
courtesy Alex Ross

A flyer for Trash and Vaudeville…

trash

Keith Haring performing at Club 57 in a themed evening called Acts of Live Art. For more information on Club 57, you can read my earlier article about this extraordinary club here. Dazed has a pretty great article about the place here.

Photo by Joseph Szkodzinski
Photo by Joseph Szkodzinski

Coney Island High, a pivotal East Village venue during the 1990s.

Courtesy Buzzfeed
Courtesy Buzzfeed

Top photo — St. Mark’s Place in 1978, Photos by Leonard Freed / Magnum Photos, care of Vintage Everyday