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Broadway Week: The Best Theater Value in Town Returns in September 

Since its launch in 2011, NYC Broadway Week has become a beloved tradition for theater lovers, offering a rare opportunity to experience world-class productions at a fraction of the cost.

Held twice a year, Broadway Week allows theatergoers to purchase 2-for-1 tickets to many of Broadway’s top shows—making it easy to bring along a friend, partner, or family member. 

To date, Broadway Week has sold over 2 million tickets, helping make live theater more accessible to a broader audience. And with Broadway coming off its highest-grossing season ever, there’s never been a better time to join the excitement—at half the price! 

The fall 2025 edition of Broadway Week runs from September 8 to 21, with tickets on sale now. Theater fans can find a full list of participating shows and purchase links at this link

What do you mean you haven’t seen Hadestown? Now’s your chance!

This fall, audiences can enjoy a mix of Broadway legends and innovative new productions. Longtime favorites include Chicago, the longest-running show in Broadway history; The Lion King, directed by Julie Taymor—the first woman to win a Tony for Best Direction (1998); and Wicked, currently featuring Lencia Kebede as the first Black actress to play Elphaba full-time.  

Also on the roster is The Book of Mormon, the irreverent hit from the creators of South Park and Avenue Q

Among history themed shows we recommend — The Great Gatsby

And for those seeking brand- new theatrical experiences, the lineup includes Maybe Happy Ending, the most recent Tony Award winner for Best Musical, as well as Oh, Mary!, a genre-bending historical comedy written by and originally starring Cole Escola, with Jinkx Monsoon currently in the lead role. 

Celebrate the city that’s always making showbiz history. NYC Broadway Week is happening September 8–21. Save and get 2-for-1 tickets with code NYCBW400. Tickets are on sale now. 

Check out Hell’s Kitchen too!

Read about Broadway Week and all the other exciting events and world-class institutions commemorating the five boroughs’ legacy of groundbreaking achievements, and find ways to celebrate the city that’s always making history at Founded by NYC.

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It's Showtime Podcasts

The Broadway Musical: A trip through American theater history

 

The Broadway Musical is one of New York City’s greatest inventions, over 150 years in the making! It’s one of the truly American art forms, fueling one of the city’s most vibrant entertainment businesses and defining its most popular tourist attraction — Times Square.

 But why Broadway, exactly? Why not the Bowery or Fifth Avenue? And how did our fair city go from simple vaudeville and minstrel shows to Shuffle Along, Irene and Show Boat, surely the most influential musical of the Jazz Age?

This podcast is an epic, a wild musical adventure in itself, full of musical interludes, zipping through the evolution of musical entertainment in New York City, as it races up the ‘main seam’ of Manhattan — the avenue of Broadway.

We are proud to present a tour up New York City’s most famous street, past some of the greatest theaters and shows that have ever won acclaim here, from the wacky (and highly copied) imports of Gilbert & Sullivan to the dancing girls and singing sensations of the Ziegfeld revue tradition.

CO-STARRING: Well, some of the biggest names in songwriting, composing and singing. And even a dog who talks in German!  At right: Billie Burke from a latter-year Follies. (NYPL)

This show, originally recorded in 2013, has been re-edited, remastered and even includes extra material which was cut from the original episode.

LISTEN NOW: THE BIRTH OF THE BROADWAY MUSICAL


A few images from Greg’s trip to the Museum of Broadway at 145 West 45th Street.

The Black Crook
Ziegfeld Follies
Showboat
Rent
The Phantom of the Opera

The original grid plan from 1811. As you can see, Broadway was not meant to extend further than the Parade Ground, the largest planned plaza from the Commissioner’s Plan. Years later, the Parade Ground was reduced (becoming Madison Square) and Broadway was allowed to break the grid, creating plazas conducive for transportation and public gathering. (NYPL)

New York Public Library

One of dozens of knock-off productions of HMS Pinafore, this one featuring children:

The facade of the Fifth Avenue Theater, once located at 1185 Broadway. Why was it called the Fifth Avenue Theater then? Possibly to just make the society ladies feel at home here!  This was home to three Gilbert & Sullivan original productions, including the premiere of The Pirates of Penzance.

The Florodora girls, from the hugely successful 1900 musical comedy which debuted at the Casino Theater. (NYPL)

The Casino Theatre at West 39th Street and Broadway.

One of the more fantastic creatures from Victor Herbert’s Babes In Toyland, which made its debut in Columbus Circle’s Majectic Theater. You can read my article here on the musical which inspired Herbert’s show, the musical version of The Wizard of Oz. (NYPL)

New York Public Library

George M Cohan singing “Over There”

Video of a Ziegfeld Follies from 1929, a bit past their heyday, actually. They would only last until 1931:

Sheet music from 1921 of one of the most famous songs from Shuffle Along (NYPL):

Dancing girls during the Actors Strike of 1919, which galvanized the industry and gave regular New Yorkers a window into the tough conditions faced by many background performers. (NYPL)

So the number ‘After The Ball’ — a huge hit song that made its stage debut in A Trip To Chinatown — made a return appearance to Broadway in 1927’s Show Boat!

Musical cues from this week’s show:
Give My Regards To Broadway and After the Ball performed by Billy Murray
A version of Make Believe recorded by Bing Crosby, and Ol Man River, performed by Paul Robeson, from a 1932 cast recording, featuring Victor Young and His Orchestra
Love Will Find A Way, from a 1921 recording by Eubie Blake
Selection from HMS Pinafore, from a 1914 recording by the Victory Light Opera Chorus

 And finally, a clip from the film version of ‘Show Boat’, featuring an iconic performance by Paul Robeson.
 

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Podcasts

Niblo’s Garden: New York’s entertainment complex and home to the first (bizarre) Broadway musical

Show-stopping: The interior of Niblo’s Garden Theatre. Illustration by Thomas Addis Emmet, courtesy NYPL

PODCAST It’s the 1820s and welcome to the era of the pleasure garden, an outdoor entertainment complex delighting wealthy New Yorkers in the years before public parks. Wandering gravel paths wind past candle-lit sculptures, songbirds in gilded cages, and string quartets in gazebos, while high above, nightly fireworks spray the sky.

Niblo’s Garden, at the corner of Broadway and Prince Street, was the greatest of them all, with an exhibit room for panoramas and refreshment hall consider by some to be one of New York’s very first restuarants. But it was Niblo’s grand theater, seating 3,000 people, that would make Niblo’s reputation as the venue for both high- and low-brow events. And in 1866, a production debuted there that would change everything — the gaudy, much-too-long spectacle The Black Crook, considered by most as the very first Broadway musical.

Music in the episode is Enigma Variation VI. Ysobel by Elgar. It’s actually from after the time period of Niblo’s, but it’s so very strolling-the-garden, isn’t it? And I had a cold this week, so please forgive my scratchy voice!

Before Niblo’s, the premier pleasure garden was Vauxhall Garden, derived from a British garden of the same name. The one picture below is from the incarnation before it moved in 1807 to the area just below Astor Place, in what would become Lafayette Street. (NYPL)

The first theater on the Niblo property was a small stage he called ‘Sans Souci’. Demand soon dictated that a larger venue be built. [NYPL]

From another illustration detailing the block just a few years later. The theater looks the same, but other buildings (possibly the saloon or a greenhouse?) have been built up around it. (from Merrycoz)

The garden was soon overtaken by a great hotel, the Metropolitan, which opened in 1852. This image is looking east, down Prince Street, with Broadway stretching to the left. NOTE: The original caption on this illustration says 1850, but the hotel would not be open for a couple years later. (NYPL)

This is one of the only photographs of Niblo’s Theater, certainly from its last years, judging from the fashion of the day. The theater and the hotel were demolished in 1895. [Pic from here]

This poster is from a Boston production of ‘The Black Crook’, but it illustrates nicely the scope and theatricality of the production. The show was cobbled together using a poorly written German fantasia, a troupe of out-of-work Parisian dancers, and some original music. The show ran five and a half hours nightly and was a runaway hit. [Image from Kirafly Bros]

A costumed damsel (in photographic negative) from an early production of The Black Crook. [source]

An early program from Niblo’s, from 1877, featuring stage rendition of Jules Verne’s Around The World In 80 Days. I can only imagine the sets for this one! Also featuring the ‘Greatest Terpsichordean Ensemble’ and ‘250 Danseuses and a Superb Cast’.[Courtesy Jules Verne]