Enter the magical world of New York by gaslight, the city illuminated by the soft, revolutionary glow of lamps powered by gas, an innovative utility which transformed urban life in the 19th century.
Before the introduction of gaslight in the 1820s, New York was a much darker and quieter place after sunset, its streets lit only by dull, foul-smelling whale-oil lamps. Gaslight, reliant upon the burning of coal, was first used in London and later made its American debut in Newport and Baltimore.
The New York Gas Company received its company charter in 1823 and began to install gas pipes under the street that decade. With gas-powered lighting, New York really became the city that never sleeps.
It meant you could work late without your eyes straining – or wander the streets with less apprehension. It meant greater ease reading a book or throwing a lavish ball. (It also meant working later hours.) Gaslight brought the 19th century city to life in ways that are easy to overlook.
In this episode we’re joined by author Jane Brox, author of Brilliant: The Evolution of Artificial Light who discussed the curious charms of this rare and enigmatic light source.
LISTEN HERE: NEW YORK BY GASLIGHT
The first house in New York City to be illuminated by gaslight — 7 Cherry Street, the home of New York Gas Company president Samuel Leggett.
Courtesy New York Public LibraryGaslight was often installed concurrently (or even before) water pipes in certain areas of the city.
The innovative 1867 play Under The Gaslight employed spectacular gaslight effects to create a captivating scene.
The Stephen Sondheim musical Sweeney Todd: The Demon Barber of Fleet Street made its Broadway debut on March 1, 1979 at the Uris Theatre (today the Gershwin Theatre).
It would become one of the most popular and beloved musicals of modern times, winning eight Tony Awards including Best Musical, Leading Actor (for Len Cariou) and Leading Actress (Angela Lansbury).
Also in the Broadway cast was Sarah Rice who originated the role of Johanna.
On this week’s episode of The Gilded Gentleman, Sarah joins host Carl Raymond for a fascinating conversation about that original production.
Sarah shares what it was like to get the role, how she went about creating the character and what it was like to work with such extraordinary colleagues.
Sarah Rice opposite Victor Garber in the original production of Sweeney Todd.
And that’s not all! As the famed “Demon Barber of Fleet Street” gets ready to flash his razor and do his deeds once again in a new Broadway production (starring Josh Groban and Annaleigh Ashford), Carl goes back in time to the early years of London’s Victoria era to look at just how Sweeney Todd and his tale came to be.
Born in the world of the sensational and gruesome stories of the “penny dreadfuls“, Sweeney Todd and his story were quite different from what theatre audiences know today.
Listen today on your favorite podcast player or play it here:
The original television commercial:
An original video of Sarah Rice singing “Green Finch and Linnet Bird” on the Broadway stage!
And after you listen to Carl’s show, dive into the original Broadway cast recording:
Wall Street in 1847, German artist Augustus Köllner, from lithograph by Laurent Deroy
Wall Street, today a canyon of tall buildings in New York’s historic Financial District, is not only one of the most famous streets in the United States, it’s also a stand-in for the entire American financial system.
Wall Street in 1847, German artist Augustus Köllner, from lithograph by Laurent Deroy
One of the first facts you learn as a student of New York City history is that Wall Street is named for an actual wall that once stretched along this very spot during the days of the Dutch when New York was known as New Amsterdam.
The particulars of the story, however, are far more intriguing. Because the Dutch called the street alongside the wall something very different.
During the colonial era, the wall was torn down and turned into the center of New York life, complete with Trinity Church, City Hall and a shoreline market with a disturbing connection to one New York’s financial livelihoods — slavery.
So how did this street become so associated with American finance? The story involves Alexander Hamilton, a busy coffee house and a very important tree.
LISTEN NOW: HOW WALL STREET GOT ITS NAME
Map courtesy Wikimedia Commons: Featured on the map 1) Trinity Church 2) Bank of New York Building 3) NY Stock Exchange 4) Federal Hall 5) Trump Building 6) Cocoa ExchangeThe slave market was where the “Meal Market” is marked on the map.From Our Firemen: A History of the New York Fire Departments. Augustine E. Costello, 1887The Wall Street market which featured a slave market in 1711
FURTHER LISTENING:
After listening to the show about Wall Street, check back into these prior episodes for further adventures relating to this story.
This podcast is inspired by the article below, which ran in 2017 (and was itself based on an earlier article on this website).
A simplistic but colorful view of “Man Mados” or “New Amsterdam” in 1664 (click in to inspect the detail)
There was most definitely a walled fortification nearby on New
Amsterdam’s northern boundary, and it certainly did stretch along about
the same area as Wall Street does today.
But the present name seems to be a formation of mixed meanings that
only a tangle of languages and hundreds of years of history can create.
The Dutch themselves referred to an actual street alongside the
waterfront that ran up to and alongside the wall as the ‘Cingel’ —
according to old history, meaning “exterior, or encircling, street.”
This festive illustration from 1949, created for Old Dirck Storm’s Book, takes some liberties with the names and streets of New Amsterdam. For instance it applies De Wal Straat as the name of the street next to the wall. See this week’s show for how this confusion came to be.
But ‘De Waal Straat’, as it was also known, was also the center of a
small Walloon community in New Amsterdam, and some believe the name
comes from them. The Walloons were French-speaking Belgians who were
among the first European settlers, arriving in the New World as part of a
contingent hired by the Dutch West India Company.
A map of New Amsterdam, indicating the layout from about 1644, well before a wall was constructed.
MCNY
The real reasons for New Amsterdam building its famous wall are also
up for grabs. It’s commonly held that an original wooden palisade was
erected in 1644 in defense of Indian attacks, and certainly, the
residents of New Amsterdam did their part to rile the anger of the
native landowners.
Below: A fanciful illustration from Harper’s Magazine, 1908,
imagining New Amsterdam and the construction of the original ‘wall’.
But the Dutch had been living at the tip of Manhattan for over 25
years by the time the sturdier wall was built in 1653. In truth, it was
commissioned to keep out a different sort of enemy.
You’ll be pleased to know that director-general Peter Stuyvesant was the man who ordered the construction of the wall — in his words, “to surround the greater part of the city with a high stockade and small breastwork” — to replace the inadequate wooden barrier that had previously marked the city’s northern border.
A model of New Amsterdam made in 1933, clearly showing how sudden the city borders stopped thanks to the wall.
MCNY
This was an incredibly important year for New Amsterdam in two respects. In February 1653, New Amsterdam was chartered as an official Dutch city.
Although Stuyvesant was quite against the outpost receiving such official recognition, he eventually took advantage of it, appointing the first town council himself rather than putting it up to such trivial inconveniences as elections.
But in 1653, the tides of the motherland spilled onto their shores as the war between England and the Netherlands threatened the remote and undefended new city.
The Dutch intended to launch ships from New Amsterdam harbor in a battle against the English.
As a result, the English colonies up north were sure to retaliate,
either by sea or, feared Stuyvesant, over land, possibly teaming with
hostile Indian forces, down through undefended Manhattan island.
Essentially, the wall that helped give us Wall Street was built
because Stuyvesant feared attacks not just from Indian tribes, but from
the European colonies of Connecticut, Massachusetts and New Haven!
Looking at this more well-known map of New Amsterdam – the Costello Plan of 1660 — one can see the two gates very clearly.
Stuyvesant called upon the 43 richest residents of New Amsterdam to
provide funding to fix up the ailing Fort Amsterdam and to construct a
stockade across the island to prevent attacks from the north, while it
took New Amsterdam’s most oppressed inhabitants — slave labor from the
Dutch West India Company — to actually build the wall.
The barrier was constructed out of earth, rock, and 15 feet timber planks sold to the Dutch, ironically enough, by the “notorious“ Englishman Thomas Baxter. In a turnabout that one would expect from hiring your enemy, Baxter later led a group of “Rhode Island marauders“ and pirated Dutch fishing ships.
Early in the 1660s, the Dutch upgraded its wall to include brass
cannons and two sturdy gates — one at today’s intersection of Wall and
Broadway (for land), the other at Wall and Pearl Street (according to an early account, a water gate and access to a ‘river road’).
Below: A detail from a map of New Amsterdam’s eastern side,
clearly showing the water gate, and an illustration from 1908 of that
eastern gate:
Internet Archives Book Images
The British took over New Amsterdam in 1664 and renamed it New York,
but the wall still remained, becoming more a relic than a serious
defense.
By the turn of the century, the fear of land attacks had almost completely subsided and the city was beginning to feel crowded. So in 1699, the wall was torn down with some of the material salvaged to help construct a new City Hall at the corner of Nassau Street and the newly christened Wall Street.
In 1711 a slave market was built on Wall Street along the eastern shore, remaining there until 1762.
When the British were forced out in 1783 by the Americans, the City Hall building was finally renamed Federal Hall — the first official center of American government.
A plaque honoring the old wall sits today at the corner of Wall and Broadway, where the gate to the city once opened:
New York City and Los Angeles may be separated by a few thousand miles — and rivalries between the two cities abound — but they are intimately linked due to the entertainment industry.
In fact the American film industry was developed in New York and New Jersey and was a growing medium by the time the first film moguls set their sights on the tiny little town of Hollywood in the early 1910s.
If you find yourself in a Hollywood kinda mood — whether due to the Academy Awards or the many recent films about Hollywood history (Babylon, The Fabelmans) — we’ve got your covered! Here are just five shows from our catalog about the movies and movie stars living in New York City.
Marilyn Monroe overlooking Park Avenue from the roof of the Ambassador Hotel at Park and 51st. (The hotel was demolished in 1966). From here you can also see the Racquet and Tennis Club (1918) and the Lever House (1952). Photograph by Ed Feingersh, taken 1955.
By the mid 1950s, Marilyn Monroe had become the biggest movie star in the world. But suddenly, in 1955, she came to the East Coast to reinvent herself and her career. It would be a turning point in her life and it all played out on the streets of New York City.
FEATURING: An interview with Alicia Malone from TCM.
On August 23, 1926, Rudolph Valentino died in New York City. The Italian American actor had come to America via Ellis Island in 1913 and gotten his first break in the city as a dancer.
By 1926, he had become the biggest star of the silent film era. His death sparked widespread grieving and even a riot near Columbus Circle.
Bacall, born Betty Joan Perske, the daughter of Jewish Eastern European immigrants, worked her way from theater usher to cover model at a young age, then became a movie star before she was 20 years old. Her film pairings with husband Humphrey Bogart define the classic Hollywood era.
After his death, she moved to the Dakota Apartments which she called home for 53 years.
The Magic of the Movie Theater: A History of Palaces and Art Houses.
In celebration of 125 years of movie exhibition in New York City — from vaudeville houses to movie palaces, from arthouses to multiplexes. And also a lament for all the theaters which have since closed — and continue to close.
New York City inspires cinema, but it has also consistently manufactured it. Long before anybody had heard of Hollywood, New York and the surrounding region was a capital for movies, the home to the earliest American film studios and the inventors who revolutionized the medium.
Horror movies normally go for nameless suburbs, dark woods or remote Victorian-style haunted houses for their scary settings, so it’s a wonderful treat when New York City and its recognizable landmarks get to host a few cinematic monsters.
Ever since King Kong traipsed up the Empire State Building, filmmakers have used the city’s architecture as a way to heighten thrills and even comment on the real-life horrors of urban living. This week the Scream franchise brings its mix of murder mystery and slasher to New York City in Scream VI starring Melissa Barrera and Jenna Ortega.
Want to make your own New York City horror film festival? Here are ten of my personal favorite movies set in the big city, from campy treats to genuine frights. Do you have any urban horror favorites? Leave them in the comments.
10 Q: The Winged Serpent (1982)
Before Q was a conspiracy theory, it was an ancient beast terrorizing the New York skyline. Chrysler Building architect William Van Alen would be horrified to learn that the graceful tapering top hat of his most famous building becomes home of a loathsome flying dragon and a gigantic nest of eggs.
This movie is one of my all-time favorite camp horror classics, Jaws if the shark were actually just a long, mean pigeon. (Way back in 2007 I wrote about my love of this movie on this website.)
9 The Sentinel (1977)
Horror on the Brooklyn Promenade! A fashion model moves into a historic Brooklyn brownstone only to be tormented by the most peculiar set of neighbors to ever vex the borough. Sure it’s built upon the gateway to Hell, but given the state of real estate today, it might be worth the risk. (We talked a bit about this film in our Ghost Stories of Brooklyn podcast.)
8 Wolfen (1981)
A murder mystery in early 80s New York City that uses both recognizable landmarks like the Brooklyn Bridge and the rubble of the Lower East Side to great chilling effect.
Something very wolf-like is killing people in gruesome ways, from Battery Park to the Central Park Zoo. There are literally wolves on Wall Street! There are also some definite cringe-worthy moments (using Native American mythology in the most trivial way) but seeing New York as an apocalyptic landscape is eye-opening. Bonus points for the bloody nod to New Amsterdam.
7 House of Wax (1953)
A rich and campy celebration of the city’s once ubiquitous wax museum scene — in particular a glorious nod to the Eden Musée — in a morbid mystery along the dark streets of turn-of-the-century New York. Vincent Price is at his very best as a sculptor with a dark method of creating new exhibitions.
6 Eyes of Laura Mars (1978)
The world of high-fashion New York, set to soundtrack of disco and Barbra Streisand, is the backdrop for this serial killer thriller starring Faye Dunaway as an extremely macabre photographer who begins seeing horrifying visions. Absurd and sometimes silly, the film nonetheless features an exquisite look at 1970s SoHo. We loved it so much that we recorded a Bowery Boys Movie Club about it.
5 Dark Water (2005)
And now we turn to Roosevelt Island and a remake of a Japanese film, made during the height of the Western fascination with Japanese horror. (Think Ring; in fact Dark Water is a variation on a short story by Koji Suzuki, author of Ring.) Here Jennifer Connelly fights back against a leaky ceiling — haunted, of course — and a ghostly child. I kept wanting the movie to reach back further into the island’s dark history but it’s a fun, little jump-scare fest regardless.
4 Sisters (1972)
Brian De Palma in Staten Island! Plus a very troubled Margot Kidder playing a fashion model and, well, something more. This strange little indie artifact is the first of many tributes to Alfred Hitchcock in De Palma’s career, a murder mystery and a psychosexual terror that may permanently change the way you see the neighborhood of St. George.
From the Rialto Theater premiere in New York, December 1942
3 Cat People
This sinister creeper actually has very little violence or gore, and it’s not even filmed in New York! But director Jacques Tourneur manages to turn Fifth Avenue interiors into shadowy horror landscapes and the brilliant Simone Simon perfectly embodies a glamorous international socialite who might also be the original catwoman. Central Park Zoo is the scene of much of the melodrama but the most terrifying scene is an effective trick of light-and-shadow at an apartment building swimming pool.
2 The Hunger
So dramatic, pretentious and beautiful. Two New Wave vampires (Catherine Deneuve and David Bowie) hit the town looking for new victims and eternal youth. When Bowie discovers the downsides of making an evil, immortal pact with the undead, Deneuve turns to Susan Sarandon as her new unholy companion.
Filled with so much eyeliner and a great many shoulder pads, this sexy horror melodrama spawned a million baby goths and still stands as an LGBT midnight classic. It also makes a perfect double feature with Martin Scorsese’s After Hours, both movies a celebration of New York City after dark.
BOB WILLOUGHBY/MPTV IMAGES/REEL ART PRESS
1 Rosemary’s Baby
This is the ultimate marriage of story and location and essentially a horror movie about nosy neighbors and a co-op board. You’re certainly familiar with the story — a young woman (Mia Farrow) becomes impregnated under mysterious circumstances in her tony new home at the Dakota Apartments. But even if you don’t care for horror (or for director Roman Polanski), watch it just for the New York City locations, an embodiment of both the chic and unusual.
Also I want you to watch this movie knowing that Dakota resident Lauren Bacall, friends with producer William Castle, was often watching them film the movie here.
Bradley-Martin Ball of 1897 from the Harper's Weekly Illustrated Newspaper
The second season of HBO’s The Gilded Age arrives in September but you don’t have to wait that long to revel in the opulence and the scandal of the era.
The Gilded Gentleman podcast has been investigating this era’s cultural significance, and in his two newest episodes, host Carl Raymond hits the historic dance floor to explore the real drama behind the Gilded Age ball.
Season Two of HBO’s The Gilded Age will whisk you away starting in September. ALISON COHEN ROSA/HBO.
Having a Ball: The Gilded Age’s Most Outrageous Parties
The grand ball was in many ways the battlefield upon which these social skirmishes were enacted. In this show, Carl takes a look at just what going to the ball meant in the Gilded Age (whether you were invited or not) and just what it was like once you got there.
The show delves into several of the Gilded Age’s most famous balls, from Alva Vanderbilt‘s costume ball of 1883 to Mrs. Astor’s annual Opera Ball to the ultimately disastrous ball thrown by James Hazen Hyde in 1905.
This episode also details the fashion and the jewels and shares some examples of what happened when it the party went careening off the rails.
The Bradley Martin Ball 1897: The Gilded Age’s Greatest Party
Of all the balls and parties thrown during the Gilded Age, the extravagant evening hosted by Bradley and Cornela Martin at the Waldorf in 1897 was perhaps the most legendary, but also perhaps the most filled with misconceptions.
This episode shares the story of the Bradley-Martins and explains the fascinating background of the ball that makes this a true tale of the Gilded Age.
The Gilded Gentleman’s guest for this special episode is Richard Jay Hutto, the great-grandson-in-law of the Bradley Martins. He shares the story of the Bradley Martins, how the ball came to be, and what really happened the morning after.
Within the New York City of Edward Hopper‘s imagination, the skyscrapers have vanished, the sidewalks are mysteriously wide and all the diners and Chop Suey restaurants are sparsely populated with well-dressed lonely people.
In this art-filled episode of the Bowery Boys, Tom and Greg look at Hopper’s life, influence and specific fascination with the city, inspired by the recent show Edward Hopper’s New Yorkat the Whitney Museum of American Art.
Hopper, a native of the Hudson River town of Nyack, painted New York City for over half a decade. In reality, the city experienced Prohibition and the Jazz Age, two world wars and the arrival of automobiles. But not in Hopper’s world.
In his most famous work Nighthawks (1942), figures from a dreamlike film appear trapped in an aquarium-shaped diner. But Hopper has captured something else in this iconic painting: fear and paranoia. No wonder he’s considered a huge influence on Hollywood film noir and detective stories.
Hopper painted New York from his studio overlooking Washington Square Park, and both he and his wife Josephine Nivison Hopper would become true fixtures of the Greenwich Village scene.
PLUS: Tom visits the Edward Hopper House Museumin Nyack, New York, to talk the artist’s early life with executive director Kathleen Motes Bennewitz. And Greg finds some of the hidden meanings in Hopper’s paintings thanks to American art historian Rena Tobey.
Edward Hopper in his studio. Courtesy Everett/ShutterstockCirca 1947. Photo courtesy Whitney Museum of American Art
From the Edward Hopper House Museum in Nyack, NY:
Photos by Tom Meyers
From inside Edward Hopper’s studio at 3 Washington Square North (from Open House NY 2019). Information on the studio here.
Although Hopper’s painting are mostly from the domain of his imagination, you can see some of his architectural subjects on the streets today. For more information, visit this interesting article posted at Village Preservation.
Bleecker and Carmine StreetEarly Sunday Morning, 1930Greenwich Avenue and Seventh AvenueNighthawks, 1942Judson Memorial ChurchNovember, Washington Square
FURTHER LISTENING
After finishing this show on Edward Hopper, dive back into our back catalog and experience other shows related to Hopper and his subjects:
Photo by Jim Henderson, taken 2020, courtesy Wikimedia Commons
SIDE STREETS is the new Bowery Boys Patreon-exclusive podcast, available to those who support the show via Patreon at any of the listed levels.
New York City was once famed for its cinemas, but habits in watching movies in a post-pandemic world have forced the closure of many of the city’s most interesting and memorable screens.
Upon hearing news that the Cineplex Chelsea Cinema (once New York’s largest multiplex) has closed, Greg and Tom race back to their microphones to lament the disappearance of their favorite movie screens and fondly recall their most interesting times at the movies. (Since recording this last week the Regal Union Square Stadium 14 has also announced its closure.)
Among the fallen stars: The Ziegfeld Theatre, classic Lower East Side screens as the Sunshine Cinema, creaky revival houses such as La Cinematheque and rather fragrant Loews Astor Plaza in Times Square
But it’s not all gloom on this show. The Bowery Boys also celebrate the city’s most classic screens that are still open — from the Film Forum to the Paris Theatre. And many, many more!
What is your favorite place in New York City to watch a movie?
Photo by Anomalous_A/FlickrImage via Union Square PartnershipPhoto by Beyond My Ken/Wikimedia Commons
Fish vendors, South Street, ca. 1937. WPA Federal Writers’ Project Photograph. Photographer: Clifford Sutcliffe. Courtesy Municipal Archives.
In the 19th century, the Fulton Fish Market in downtown Manhattan was to seafood what Chicago stock yards were to the meat industry, the primary place where Americans got fish for their dinner tables.
Over the decades it went from a retail market to a wholesale business, distributing fish across the country – although that was a bit tricky in the days before modern refrigeration.
Today its former home is known by a more familiar name — the South Street Seaport, a historical district that has undergone some incredible changes in just the past half century. The fish market, once a awkward staple of this growing tourist destination, moved to the Bronx in 2005.
You can still find delicious seafood at the Seaport — lobster rolls, grilled octopus, steamed bass, buttery scallops and other offerings of the many fine restaurants of the Seaport area. And the Tin Building has taken dining in the neighborhood to the next level, literally in the architectural remains of a former fish market building.
Photo by Gordon Parks, courtesy Library of Congress
Maybe you have parents or grandparents who once worked at the Market in the 20th century. They might have stories about rusty, old architecture or bizarre new sea creatures for sale. Or maybe they have tales about the mobsters who kept certain aspects of the market’s distribution process under their control.
Why did the Fulton Fish Market appear at this very specific spot in New York City? How did it become so important? How did people manage to successful sell thousands of tons of seafood in the 19th century and keep it delicious and fresh?
On this show, we’ll be joined by professor Jonathan H. Rees, a professor of history at Colorado State University–Pueblo, author of the new book The Fulton Fish Market: A History.
By the end of our conversation today, we’re confident that you’ll never look at the fish section of your local grocer in the same way.
LISTEN NOW: THE FULTON FISH MARKET
Tin Building, 1951, Library of CongressPhoto by Greg Young
Some views inside the new chic Tin Building:
Photo by Greg Young
FURTHER LISTENING
After listening to this week’s show on the Fulton Fish Market, you’ll want to re-visit these shows from the back catalog for additional context
If you’re into radio dramas, historical epics and intriguing tales about New York City, we think you’ll like Burning Gotham, the new podcast produced by The Wallbreakers, weaving the biographies of several real-life New York City figures into a speculative tale leading to the Great Fire of 1835.
On the frigid blustery night of December 16th, the worst fire in city history sweeps through Manhattan
The East River is frozen solid. The undermanned team of volunteer firefighters are no match. Everything south of Maiden Lane and east of Broad Street—the chief merchant district with the highest property value—turns to ash.
The fire causes the modern equivalent of $500 million in damage. The investigation finds the cause to be a leaky gas valve near a lit coal stove at the office of Comstock & Andrews.
But what if New York’s greatest accidental fire was no accident?
The eight-part first season is now available with a new season planned for later this year.
In addition, for a look behind the history of each episode, there are four episodes of Beyond Burning Gotham, providing historical context for the narrative. Episode two of Beyond Burning Gotham even features Greg Young from the Bowery Boys!
Flushing-Meadows Corona Park in the borough of Queens is the home of the New York Mets, the U.S. Open, the Queens Zoo, the Hall of Science and many other recreational delights.
But it will always be forever known as the launching pad for the future as represented in two extraordinary 20th century world’s fairs.
There is so much nostalgia today for the 1939-1940 World’s Fair and its stranger, more visually chaotic 1964-65 World’s Fair. And that nostalgia has fueled a thriving market for collectables from these fairs — the souvenirs and other common household items branded with the two fairs’ striking visual symbols.
The Trylon and Perisphere represented the dreams of 1930s America after the Great Depression, the strange symbols of “the World of Tomorrow.” A quarter century later the Unisphere depicted its theme — “Peace Through Understanding” — as a space-age fantasy.
Millions of souvenirs were manufactured and sold at these two fairs. And those very treasured items which survive — in the hands of collectors, at flea markets and antique shops — are nearly all that remain of these special, ephemeral events.
In this show, Greg is joined by design and cultural historian Kyle Supley, recorded at Brooklyn’s City Reliquary where Supley’s own collection of World’s Fair has found a permanent home.
How do such souvenirs allow us to visit the past? And what do they say about our world today?
LISTEN NOW: TREASURES FROM THE WORLD’S FAIR
Kyle Supley is a historian, curator and preservationist with a focus on Mid-Century American culture, consumer products, architecture, and design.
Had a wonderful time wandering the city researching shows for the Bowery Boys podcast. Here are a few of my favorite images from New York City and the Hudson River Valley in 2022. Happy New Year! — Greg
We’ve just debuted a new podcast series — Side Streets, available only to those who support the Bowery Boys Podcast on Patreon, featuring conversation about all sorts of New York City related subjects.
And the first episode is all about food!
Greg and Tom — with some help from producer Kieran Gannon — reflect nostalgically upon old New York City restaurants from the 1990s (Mars 2112, anyone?), wonder what it was like to eat at a chop suey restaurant, praise the strange wonders of Chez Josephine and Congee Village and reveal their favorite diners in the city.
PLUS: Where do the Bowery Boys go to have a delicious slice of pizza? (Hint: Head to Brooklyn.)
Photo by Greg Young
Side Streets will be an every-other-week show, available to patrons at any level. To listen to the show and support the Bowery Boys podcast, just sign up at Patreon.
And check out the various Patreon support tiers for additional benefits such as ad-free episodes, patron-only merchandise, early notice of live events and other fun things.
What a way to spend our 15th year of podcasting! You’ve helped make it another fantastic year. Over the past twelve months, we’ve released 24 brand new episodes and even went back to the live stage twice (at Caveat and Joe’s Pub).
And speaking of a Gilded good time, Tom spent a few weeks co-hosting The Official Gilded Age Podcast with Alicia Malone — who then came on the Bowery Boys in November to discuss the life of Marilyn Monroe.
A extra, extra special thank you to those who support us Patreon. We were able to produce these shows because of your support and encouragement. PLUS we just started up a new Patreon-only show called Side Streets.
And thanks to guest Hugh Ryan, we saw Jefferson Market in a very different way with an exploration into the place known as the Women’s House of Detention.
But you especially loved the following ten shows — the most listened-to Bowery Boys episodes of 2022.
Looking forward to 2023 — we’ve got LOTS of surprises planned for January and February, plus a new upcoming mini-series for the spring.
Crosswords, jigsaws, mazes, rebuses, Rubik’s cubes, Myst, Words With Friends — and now Wordle? Not only have people loved puzzles for centuries, they’ve actually gone wild for them. Every few years, a new puzzle comes along to captivate the nation.
But each of these little games has an extraordinary history and for this special show, we have the “the puzzler” himself to help us unravel these unique mysteries.
— Sam Loyd, the ultimate puzzle huckster — The utterly madcap Rebus Craze of 1937 — The Secretand the possible treasure buried underneath New York’s very streets — Stephen Sondheim‘s glorious contributions to the puzzling world
PLUS: A special New York City-themed anagram game!
LISTEN NOW — TALKING PUZZLES WITH A.J. JACOBS
Would you like to solve the Puzzler‘s secret puzzles? Find them here.
Bain News Service, Publisher. Sam Loyd. [No Date Recorded on Caption Card] Photograph. Courtesy Library of CongressTrademark listing for a Nellie Bly puzzle game, 1890Harris & Ewing, photographer. Old age versus the cross word puzzle. They don’t come too hard for Ambrose Hines… D.C., who just celebrated his one hundredth … “Bring on the hard ones,” says Mr. Hines. “I’ve … dictionaries, time and pencils necessary.” And he … too. [January or February] Photograph. Courtesy the Library of Congress. Kid cut ups puzzle, How did Noah get the animals into the ark? , 1909. Pittsburgh, Retrieved from the Library of Congress
The first crossword (or word-cross) puzzle, 1913, from the New York World.
