Categories
It's Showtime Music History Podcasts

Leonard Bernstein’s New York, New York

On the morning of November 14th, 1943, Leonard Bernstein, the talented 25-year-old assistant conductor of the New York Philharmonic, got a phone call saying he would at last be leading the respected orchestral group — in six hours, that afternoon, with no time to rehearse.

He later recalled, “I don’t remember a thing from that moment – I don’t even remember intermission – until the sound of people standing and cheering and clapping.”

Composer and conductor Leonard Bernstein walking past Carnegie Hall, December 20-21, 1956. Alfred Eisenstaedt/Life Picture Collection/Shutterstock

The sudden thrust into the spotlight transformed Bernstein into a national celebrity. For almost five decades, the wunderkind would be at the forefront of American music, as a conductor, composer, virtuoso performer, writer, television personality and teacher. 

He would also help create the most important Broadway musicals of the mid-20th century — On The Town, Wonderful Town and West Side Story. These shows would not only spotlight the talents of its young creator. They would also spotlight the romance and rhythm of New York City.

Bernstein is one of New York’s most influential cultural figures. He spent most of his life in the city, and that’s the focus of today’s story – Leonard Bernstein’s New York.

Bernstein with the New York Philharmonic on CBS, 1958 (NY Phil Archives)

The new film Maestro, starring Bradley Cooper and Carey Mulligan, focuses on Bernstein’s personal story and intimate life. That specific angle is not our objective today – for the most part.

We’re looking at the relationship between the creator and his urban inspiration. Where did Bernstein make his name in New York City and how did his work change the city?

FEATURING The Village Vanguard, City Center, Carnegie Hall, the old Metropolitan Opera and the Dakota Apartments

And co-starring Jerome Robbins, Aaron Copland, Stephen Sondheim, Comden and Green, Lauren Bacall, Tom Wolfe and, of course Felicia Montealegre

LISTEN TODAY: LEONARD BERNSTEIN’S NEW YORK, NEW YORK


The grave site of Leonard and Felicia Bernstein at Green-Wood Cemetery in Brooklyn (photo by Greg Young)

Music excerpts used in this show:

On The Town: Act I: Opening: New York, New York” (Studio Cast Recording 1961)

Robert Schumann, Manfred Overture, Op 115 (New York Philharmonic) 

Joan Crawford Fan Club” The Revuers

Symphony No. 1 Jeremiah (New York Philharmonic)

CBS Broadcast, Don Quixote, Fantastic Variations on a Theme of Knightly Character, op. 35 (New York Philharmonic)

Fancy Free Ballet: VII. Finale

I Get Carried Away, On The Town

Christopher Street (From Wonderful Town Original Cast Recording 1953)

On the Waterfront Main Title (Revised)

Candide, Act II – No. 31, Make Our Garden Grow (Finale)

West Side Story: Act II: Somewhere

Symphonic Dances from West Side Story

Samuel Barber, Adagio for Strings, Op. 11 (New York Philharmonic)

Leonard Bernstein – Young People’s Concerts – What Does Music Mean? (1958)

Kaddish, Symphony No. 3 (To the Beloved Memory of John F. Kennedy): I. Invocation: Kaddish 1

Mass – Hymn and Psalm: A Simple Song: Hymn and Psalm – A Simple Song

Dybbuk Suite No. 2: Leah  (New York Philharmonic)

Leonard Bernstein and Shirley Verrett at GMHC Circus Benefit, Madison Square Garden

Mahler – Symphony No.5

FURTHER LISTENING

Other Bowery Boys podcast which tie in to this week’s show:

Categories
Gilded Age New York Holidays Podcasts Religious History

Grace Church: Heavenly Style and High Society in Gilded Age New York

Manhattan’s Grace Church sits at a unique bend on Broadway and East Tenth Street, making it seem that the historic house of worship is rising out of the street itself. 

But Grace is also at another important intersection — where religion and high society greeted one another during the Gilded Age.

Grace is one of the important Episcopal churches in America, forming in 1809 in lower Manhattan literally next door to Trinity Church. But when society began moving uptown, so too did Grace, making its home on a plot formerly occupied by Henry Brevoort’s apple orchard. (Meanwhile, Brooklyn-based parishioners formed their own Grace Church in Brooklyn Heights.)

Grace Church was one of the most fashionable churches in New York City for several decades in the 19th century. Some of the New Yorkers who were members here, at some point in their lives, went on to become some of the most famous names of the Gilded Age.

The fashionable weddings and funerals hosted at Grace Church sometimes drew thousands of onlookers, and a few celebrated ceremonies were as raucous and chaotic as rock concerts. 

But looking past the fashion and frills, Grace Church did create a deep and lasting spiritual connection with the surrounding community which continues to this day. 

In this episode, Tom and Greg are joined by vicar Harry Krauss who gives the Bowery Boys a tour of this gorgeous, landmark parish. 

FEATURING: Rufus Wainwright, Tom Thumb, the Earl of Craven and a heavenly chorus of hundreds!



Visit the Grace Church website for a listing of their services and other events — including holiday music events. We greatly recommend Bach at Noon, short performances given at 12:20 p.m. every Tuesday through Friday.


Broadway in 1831. The original location of Grace Church is to the far left, sitting right next to Trinity Church. The building in the center is City Hotel. And to the right — “R & W Nunn’s Piano Forte Warehouse”

1831, Drawn and engraved on steel by A. Dick Printed by J. & G. Neale

…and a similar view looking up Broadway, with Grace Church and Trinity Church next to each other in the center.

From the book Old New York Yesterday and Today, published in 1922

A close-up from this 1865 photograph showing a throng of people waiting outside Grace Church.

Looking up Broadway to Grace Church, 1897

Photo copyrighted by J.E. Johnston, NY NYC Views 1897-8; Churches; Geogr. Shelf.

Another view of Grace Church (from sometime between 1901-06) from East 11th Street. In other words, were you to turn left at this corner, you would arrive at the future location of the Strand Book Store.

Library of Congress

FURTHER LISTENING

After taking in this story of Grace Church, head over to some of our past shows, some of which were referenced in this week’s show:

Categories
Christmas Holidays The Gilded Gentleman Writers and Artists

Christmas In Old New York: The Ultimate Holiday History Podcast

This week we’re highlighting an especially festive episode of the Gilded Gentleman Podcast — the Bowery Boys spinoff podcast hosted by Carl Raymond — an episode with double the holiday fun, tracing the history of holiday celebrations over 19th-century New York City history.

Licensed New York City tour guide and speaker Jeff Dobbins joins host Carl for a look at the city’s holiday traditions dating back to the early Dutch days of New Amsterdam up to the modern innovations of the early 20th century.

You’ll learn….

— the connections between Sinterklaas and Santa Claus

— the history of display windows, department store Santa Clauses and Christmas tree sellers

— how Hannukah was adapted in America to help newly arriving Jewish immigrants keep hold of their traditions

— why Santa could truly be called “a native New Yorker”

And then Carl welcomes actor John Kevin Jones who has been performing an annual one-man adaptation of Charles Dickens’ A Christmas Carol at the Merchant’s House Museum, now in its 11th season.

Kevin discusses the origins of Dickens’ famous story and how he adapted it for the stage.

LISTEN TODAY: Christmas in Old New York


Jeff Dobbins with some satisfed tour goers from last year.

Visit the Bowery Boys Walks website to learn more about Jeff Dobbins’ Christmas in Old New Yorkk tours — including his virtual tour for those who do not live in New York (or would rather enjoy a tour from the comforts of home.

All performances of A Christmas Carol at the Merchant’s House are sold out — but you can join the waitlist! And you can also watch the show virtually. Click here to learn how.


Some views of Christmas in New York City 2023

Bryant Park, behind the New York Public Library
The wild Christian Dior display at Saks
Park Avenue

FURTHER LISTENING

The Rockefeller Center Christmas tree has brought joy and sparkle to Midtown Manhattan since the early 1930s. The annual festivities may seem steady and timeless but this holiday icon actually has a surprisingly dramatic history.


There’s a special kind of magic to Christmas in New York City — from Rockefeller Center to the fanciful holiday displays in department store windows.

But in the past three decades, a new holiday tradition has grown in popularity and in a surprising quarter — the quiet residential neighborhood of Dyker Heights in Brooklyn which becomes Christmas Central for the borough.


The Rockettes are America’s best known dance troupe — and a staple of the holiday season — but you may not know the origin of this iconic New York City symbol. For one, they’re not even from the Big Apple!


Discover the place where Clement Clarke Moore wrote “A Visit to St. Nicholas/Twas the Night Before Christmas” and how his home gave rise to the neighborhood of Chelsea:

PLUS one for Hanukkah….

The Eldridge Street Synagogue is one of the most beautifully restored places in the United States, a testament to the value of preserving history when it seems all is lost to ruin.

… and New Year’s Eve! And the Chinese New Year.

The ultimate history of New Year’s celebrations in New York City — from Times Square to Chinatown.

Categories
Bridges Gilded Age New York Podcasts

The Roeblings: The Family Who Built The Brooklyn Bridge

The Brooklyn Bridge, which was officially opened to New Yorkers 140 years ago this year, is not only a symbol of the American Gilded Age, it’s a monument to the genius, perseverance and oversight of one family.

This episode is arranged as a series of three mini biographies of three family members — John Roebling, his son Washington Roebling and Washington’s wife Emily Warren Roebling Through their stories, we’ll watch as the Brooklyn Bridge is designed, built and opened in 1883.

John Roebling was one of America’s most successful engineers by the 1850s, a German immigrant and visionary who designed impressive suspension bridges and created an entire industry (wire rope) quite literally in his back yard.

His greatest achievement would be the East River Bridge, connecting the two great cities of New York and Brooklyn. But John would never see the bridge built — or even begun. A freak accident would put his son Washington in charge.

Washington Roebling was trained to follow in his father’s footsteps although their relationship was far from perfect. Roebling further excelled as an engineer for the Union Army during the Civil War.

Suddenly in charge of the East River Bridge project in 1869, Washington threw himself into the world, working aside his men within the sunken caissons that would secure the bridge to the river floor. But decompression illness would threaten his life and eventually prevent him from active work.

Emily Warren Roebling would step up on her husband’s behalf, becoming the bridge’s unofficial field engineer, maneuvering through a world of men with extraordinary intellect and grace, communicating her husband’s wishes and presumably making her OWN decisions on the spot.

PLUS: One more Roebling! Greg and Tom are joined in the studio by Kriss Roebling, the great, great-grandson of Washington and Emily Roebling. He shares his own surprising family stories — and brings in some extraordinary artifacts from his family’s past!

WITH: Stories of Slinky’s, 1980s Dumbo and Ben Stiller?

LISTEN HERE — THE ROEBLINGS: THE FAMILY WHO BUILT THE BROOKLYN BRIDGE

Kriss Roebling in the studio, showing off John Roebling’s surveying tools used to the draft the blueprints of the Brooklyn Bridge.

The band Capital Punishment featuring Kriss Roebling and bandmate Ben Stiller


For a marvelous on-the-bridge experience, follow filmmaker Ken Burns along with New York Times architectural critic Michael Kimmelman as they discuss the bridge’s history and majesty.

 Ken Burns UNUM


FURTHER READING

Building the Brooklyn Bridge 1869-1883An Illustrated History with Images in 3D — Jeffrey I. Richman
Chief Engineer: Washington Roebling, The Man Who Built the Brooklyn Bridge — Erica Wagner
Engineering America: The Life and Times of John A. Roebling — Richard Haw
The Great Bridge: The Epic Story of the Building of the Brooklyn Bridge — David McCullough
A Picture History of the Brooklyn BridgeWith 167 Prints and Photographs — Mary J. Shapiro

Emily Warren Roebling obituary in the New York Times (2018)
Emily Warren Roebling obituary in the Brooklyn Daily Eagle (1903)

FURTHER LISTENING

After listening to this show about the Roeblings and the Brooklyn Bridge, dive back into these past Bowery Boys podcasts with similar or related themes

That Daredevil Steve Brodie
A tale of the ‘sporting life’ of the Bowery from the 1870s and 80s. A former newsboy named Steve Brodie grabs the country’s attention by leaping off the Brooklyn Bridge on July 23, 1886. Or did he?

Crossing to Brooklyn: How the Williamsburg Bridge Changed New York City
The story of the Williamsburg Bridge — poorly received when it was built but vital to the health of New York City.

The Manhattan Bridge: New York’s Dysfunctional Classic
We love the Manhattan Bridge, but there’s no doubt it’s had a rocky history. For one hundred years, it’s withstood more than just comparisons to its far more iconic neighbor, the Brooklyn Bridge.

The Bridge to Everywhere: The George Washington Bridge
The George Washington Bridge is best known for being surprisingly graceful, darting between Washington Heights and the Palisades, a vital connection in the interstate highway system. 

Categories
Holidays Podcasts Revolutionary History

Evacuation Day: The Forgotten Holiday of the American Revolution

For decades New Yorkers celebrated Evacuation Day every November 25, a holiday marking the 1783 departure of British forces from a city they had occupied for several years.

The events of that departure — that evacuation — inspired annual celebrations of patriotism, unity and a bit of rowdiness. Evacuation Day was celebrated well until the late 19th century. But then, gradually, the party sort of petered out…..

Of course Americans may know late November for another historically themed holiday – Thanksgiving, a New England-oriented celebration that eventually took the place of Evacuation Day on the American calendar. But we are here to tell you listener – you should celebrate both!

Greg and Tom tell the story of the British’s final years in their former colonies, now in victory known as the United States, and their final moments within New York City, their last remaining haven. The city was in shambles and the gradual handover was truly messy.

And then, on November 25, 1783, George Washington rode into town, basically traveling from tavern to tavern on his way down to the newly freed city. The Bowery Boys chart his course (down the Bowery of course) and make note of a few unusual events — wild parties, angry women with brooms and one very lucky tailor.

PLUS: Where and how you can celebrate Evacuation Day today!

LISTEN NOW: EVACUATION DAY 


John Van Arsdale successfully takes down the British flag.

Multiple depictions of Washington’s entry into New York City exist. It was embraced as a major moment in early American history.

Washington’s Grand Entry into New York, November 25, 1783 by Alphonse Bigot
George Washington, Evacuation of New York, by John Trumbull, 1790, New York City Hall

FURTHER LISTENING

After listening to this week’s show on Evacuation Day, head back to our back catalog to listen to episodes with similar theme:


FURTHER READING

After Yorktown: The Final Struggle for American Independence / Don Glickstein

American Crisis: George Washington and the Dangerous Two Years After Yorktown, 1781-1783 / William Fowler

Evacuation Day / James Riker

The Ghost Ship of Brooklyn / Robert P. Watson

Gotham: A History of New York City to 1898 / Edwin G Burrows and Mike Wallace

Hercules Mulligan / Michael J. O’Brien

In the Hurricane’s Eye: The Genius of George Washington and the Victory at Yorktown / Nathaniel Philbrick

The Perils of PeaceAmerica’s Struggle for Survival After Yorktown / Thomas Fleming

To Save the People from Themselves: The Emergence of American Judicial Review and the Transformation of Constitutions / Robert J Steinfeld

“A Tory-eye View of the Evacuation of New York” / Robert Ernst

“An Unusable Past: Urban Elites, New York City’s Evacuation Day, and the Transformations of Memory Culture” / Clifton Hood

Categories
Landmarks The Gilded Gentleman

The Secrets of Lyndhurst Mansion, Jay Gould’s Gilded Age Escape

Lyndhurst Mansion may be familiar to viewers of the HBO series The Gilded Age since a number of this historic house’s rooms served as filming locations for the show. 

And its former owner was one of the most notorious figures of the Gilded Age — Jay Gould.

He was known as the one of the era’s most ruthless robber barons. He tangled with the Vanderbilts for control of the railroads and fought battle after battle on Wall Street. 

But there was a less contentious side to him as well. Gould sought respite from New York City with his family at his country home, Lyndhurst Mansion in Tarrytown, a rolling estate where he could transition from Wall Street warrior to father and husband. 

Carl Raymond

In this special episode, The Gilded Gentleman travels to Lyndhurst for a look inside both the mansion and the life of Jay Gould. Howard Zar, executive director of Lyndhurst, joins Carl for a fascinating interview recorded in the picture gallery in Jay Gould’s own mansion. 

Carl Raymond

Surrounded by Gould’s precious hand-chosen art collection (still hung as Gould intended), Howard and Carl delve into what life was like at the Mansion and what visitors can see today. 

As a special treat, follow along with Howard and Carl on a tour through the Mansion visiting Gould’s reception room, library, private office and dining room. 

Download the latest episode of The Gilded Gentleman on Apple Podcasts, Spotify, Overcast or wherever you get your podcasts.

Or listen to it right here:

And check out these photos, all taken by Carl Raymond.

Carl Raymond
Carl Raymond
Carl Raymond
Carl Raymond
Carl Raymond
Carl Raymond
Carl Raymond
Carl Raymond
Carl Raymond
Categories
Food History Gilded Age New York

Caviar on Horseback: The Most Outrageous Dinner Party of the Gilded Age

Louis Sherry was one of New York’s great restauranteurs of the Gilded Age, repackaging the luxury dining experience in New York with supurb attention to detail and truly clever marketing.

And one outrageous dinner party in 1903 showcased his sense of extravagance and absurdity.

Carl Raymond from the Gilded Gentleman podcast explains it in his podcast Tales of Dining in Gilded Age New York:

Sherry began his career working at the famous Brunswick House, located in Madison Square, before becoming manager of the Hotel Elberon out on the Jersey Shore.

These were both destinations for the newly moneyed elite, and he watched his clientele closely, trying to give them what they wanted before they knew they wanted it.

Louis Sherry

He would eventually opened his own restaurant — Sherry’s, self-titled of course — in 1880 at 38th Street and Sixth Avenue (near the growing Herald Square entertainment district). Courting the elite diners on Fifth Avenue, he shifted his restaurant to that tony address and eventually moved it up to 5th Avenue at 44th Street by late 1898.

Sherry’s restaurant in 1906, in a building designed by McKim, Mead and White, Architectural Record 1906

This was a key location because one of New York’s other great restaurants — Delmonico’s — had itself landed on that corner just a year before.

Now the two greatest restaurateurs were directly across the street from each other. New York’s Restaurant Wars had officially begun.

The ballroom at Sherry’s Restaurant looked like it belonged in the palace of a French king. American architect and building news, 1898

Sherry presented New York with a Stanford White-designed elegant French palace, complete with reception space, drawing rooms and a stunning ballroom. He had a flair for the theatrical and often outdid himself in presentation.

But nothing would top a very famous dinner which took place at his restaurant in 1903.

The Billings Estate aka Tryon Hall. Today this is Fort Tryon Park

You could think of it as one last blast of Gilded Age ostentation. Millionaire and businessman C.K.G. Billings was an avid horseman. While he had inherited a gas company from which he made his millions, his heart was on the racetrack.

Billings built a stable overlooking the Hudson and a fine European styled mansion in Upper Manhattan, in the area of today’s Fort Tryon Park. (You can hear more about the house and founding of the park in this Bowery Boys catalog podcast.)

Here are the stables. It’s unfortunate they didn’t have the dinner here! Picture courtesy Museum of the City of New York

Wanting to celebrate the opening of his stable, his plan was to throw a dinner for 36 of his closest friends in the stables themselves. When the press caught on to his wild plan, he went to Sherry to ask that his host create a special dinner in Sherry’s ballroom.

The thirty-six guests gathered in formal white tie, filing into the spacious dining room. When they entered, they saw the room transformed into an English country pasture with fake turf and panels of painted scenery, and in the center were the horses. Saddled and ready for the diners to mount and receive their dinner on horseback, served on silver trays fixed to the saddles.

Horse and attendant in the ballroom at Sherry’s at the horseback dinner. Courtesy Museum of the City of New York who also have a nice article on this unusual event.

Each guest and the horse was assigned a groom to handle the service and make sure that the bottles of champagne in the saddlebags were kept chilled, and the tubes stayed connected for riders to quench their thirst.

Jockey waiters brought out course after course to be eaten on the silver trays. anchored to the horse’s backs in front of each rider.

The menu began with caviar on toast points, followed by a turtle soup. The fish course featured trout, with a sauce of shallots, chervil, and chives. Rack of lamb with glazed vegetables was presented as the meat course, and the whole meal ended with flambéed peaches and coffee.

“Freak dinner” – The horseback meal made national news. This article is from a Mississippi newspaper

Now in case you wondered how the horses got into this second floor ballroom, it was an engineering feat performed with Sherry’s staff, the freight elevator, and likely a special diet for the horses to, you know, prevent any mishaps.

The price tag of all of this was approximately $1.4 million in today’s money. Billings had paid just under $40,000 for each diner to have his table on horseback.

I am sure Louis Sherry was very pleased.

For more information and other tales of absurd dining in the Gilded Age, check out this podcast from The Gilded Gentleman:

Categories
It's Showtime Music History Politics and Protest

The Academy of Music: Where High Society and Music Mixed in Old New York

When the Academy of Music opened in 1854, New York City was just about to become the richest, most powerful city in the nation. It was, in fact, almost there.

With the construction of the Erie Canal (which opened in 1825), the port city at the mouth of the Hudson River benefited greatly from the proximity.

The city grew in marvelous ways in the three decades after its opening with a new Croton water system, expanding gaslighting, and a growing grid plan, pushing the city north up the island of Manhattan.

New York winter scene in Broadway, 1857 Eno, Amos F., 1836-1915 (Collector) Girardet, Paul, 1821-1893 (Engraver) Sebron, Hippolyte Victor Valentin, 1801-1879 (Artist); courtesy New York Public Library

The city’s old-money elites soon made room — with an upturned nose, naturally — for the new-money families enriched by both New York real estate and burgeoning American industries fueled by the growth of the railroad. The New York Stock Exchange, re-built after the Great Fire of 1835, was thriving with the nation’s booming (if often volitile) economy.

And so New York society, modeling itself after English and French elites, began importing high cultural venues in which to flaunt their love of the arts — and, more importantly, their money and station in the social pecking order.

The Astor Place Opera House, opening in 1847, had briefly been the center for upper-class entertainments, but the deadly Astor Place Riots a couple years later signaled the end of that venue.

Early photograph of the Academy of Music, NYPL

And thus New York got the Academy of Music in 1854. Located on 14th Street and Irving Place, the new music house was uniquely situated near both Gramercy Park and Union Square, both havens for the elite in the 1850s. (NOTE: The Academy of Music was only a few blocks north from the old Astor Place Opera House.)

Inside the Academy of Music, 1856, NYPL

The opening bill on October 2 featured a performance of Vincenzo Bellini’s Norma featuring acclaimed Italian soprano Giulia Grisi. (America had very little homegrown talent in these days.) Underscoring its almost immediate dominance in the Americas cultural scene, the operas Rigoletto, La Traviata, Aida, Die Walküre and Carmen made their American debuts upon this stage.

The growing rival city of Brooklyn followed suit — had to follow suit, to satisfy its own elites who were situated mostly around the area of today’s Brooklyn Heights. The first Brooklyn Academy of Music opened there in 1861; after it was destroyed in fire in 1903, it moved to its present location. [More on its history here.]

Brooklyn’s original opera house was beautiful, sure, but it was no match in opulence for New York’s Academy of Music which was the largest opera venue in the world when it opened.

Interior of the Academy of Music 1856

But it designed to be so much more, a multi-purpose building which needed more space befitting the city’s growth. According to this announcement on August 28, 1854, “The New York Academy of Music will be used occasionally for concerts, balls, public meetings and theatrical performances.”

In fact due to its eventual neighbor — the headquarters of Tammany Hall — the Academy of Music would be the location of New York’s first national political convention in 1868.

Perhaps due to its many purposes, the reputation of the Academy of Music became tainted by rowdy “French balls” which took place here off season.

In 1883 Puck Magazine festively lampooned the ‘opera wars’ between the Academy of Music and the Met Opera house.

However it wasn’t until New York’s next wave of moneyed elites — its nouveau riche — opened the Metropolitan Opera House in 1883 further north that opera (and respectability) finally vacated the Academy of Music.

By that time, Union Square was the city’s destination for a more lowbrow entertainment — vaudeville! — and so the Academy welcomed that entertainment form onto its stage. But it could never recapture its glory, and the building was demolished to make way for a skyscraper owned by Consolidated Edison (which still remains).

The Academy of Music from the vaudeville years

But the name would not leave the neighborhood! A movie palace opened across the street (eventually owned by William Fox) with the name the Academy of Music. During the 1970s it hosted rock music performances and, by the 1980s, had transformed into the seminal dance club the Palladium.

Categories
Film History Podcasts Pop Culture

Garbo Walks: A Tale of Old Hollywood in New York City

Garbo in New York! A story of independence, glamour and melancholy, set at the intersection of classic Hollywood and mid-century New York City.

This is the biography of a legendary star who became the city’s most famous ‘celebrity sighting’ for many decades while out on her regular, meandering walks.

Garbo had once been Hollywood’s biggest star, a screen goddess who survived the transition from silent pictures to sound in such movies as Grand Hotel, Queen Christina and Camille.

But her career was over by the 1940s, her exotic and distant screen presence no longer appealing in the years of World War II.

And so the actress — famous for her line “I WANT TO BE ALONE” — moved to New York City and stayed here for the rest of her life, living in a fabulous apartment near Beekman Place on the east side of Manhattan.

Her favorite activity was walking, two long trips a day in her dark glasses and trench coat, committed to freedom of urban exploration and enjoying a livelihood in the city that we all take for granted.

Garbo in 1951, BETTMANN//GETTY IMAGES

In attempting to live her life freely, however, she opened herself to the intrusive behavior of others — some obsessed with her as an iconic movie star, others simply gravitating to her elusive reputation. By the 1970s and surging by the 80s, Garbo sightings became a popular urban scavenger hunt. You had Bigfoot, the Loch Ness Monster and Greta Garbo! 

Her New York story reveals some bigger themes about living in a big city — finding privacy and even solitude in a place with eight million people.

LISTEN NOW — GARBO WALKS: OLD HOLLYWOOD IN NEW YORK

Garbo in 1925, Arnold Genthe
Capitol Theatre 1930

Greta Garbo getting hounded by the press, 1938 / BETTMANN//GETTY IMAGES
Garbo in 1955, photo by Lisa Larsen for Life Magazine
Courtey IHeartIngrid
Garbo 1974 (courtesy Womanhouse)
Garbo outside Rizzoli Bookstore, 1978, photo by Ron Galella
Garbo in the 1980s, taken by Ted Leyson, courtesy Greta Garbo Facebook page

Anna Christie — Garbo Talks!

Queen Christina — Garbo in Charge!

Camille — Garbo Dying!

Ninotchka — Garbo Laughs!


FURTHER LISTENING

After listening to this show, drop into these past Bowery Boys episode regarding New York City, pop culture, celebrity and fame:


FURTHER READING

Garbo / Barry Paris
Garbo / Norman Zierold
Garbo: Her Life, Her Films / Robert Gottlieb
Garbo: Her Story / Antoni Gronowicz
In Pursuit of a Vanishing Star / Gustaf Sobin
Loving Garbo / Hugo Vickers
Walking With Garbo: Conservations and Recollections / Raymond Daum

Images linked to their original articles

Categories
Black History The Gilded Gentleman

Black Gotham: Origins of Gilded Age New York’s Black Elite

NEW from The Gilded Gentleman podcast — some overlooked history of the 19th century, the story of black life and social class in New York City.

Dr. Carla Peterson, author of Black Gotham: Family History of African Americans in Nineteenth-Century New York City, joins Carl to share her research and perspective on the growth and development of the prosperous black professional class throughout the nineteenth century up to the Gilded Age.

In her 2012 groundbreaking book, Peterson sheds light on how this particular corner of the black community grew as New York became enriched in the late 19th century. She provides insight into leading African-American figures of the day, many missing in contemporary accounts of the period. 

And believe it or not, a few characters from the HBO series “The Gilded Age” were designed with Black Gotham in mind. In particular, the father of Peggy Scott (played by Denée Benton) was based on Peterson’s own ancestral family. 

LISTEN HERE OR ON YOUR FAVORITE PODCAST PLAYER:

And for other Bowery Boys podcasts on similar subjects, follow up your listening with these shows:

Categories
Music History Podcasts Preservation

Last Dance at the Hotel Pennsylvania

PODCAST When it opened in 1919, the Hotel Pennsylvania was the largest hotel in the world. Over a hundred years later, its fate remains uncertain. Is it too big to save? (NOTE: Alas the hotel was torn down in 2023.)

After the Pennsylvania Railroad completed its colossal Pennsylvania Station in 1910, the railroad quickly realized it would need a companion hotel equal to the station’s exquisite grandeur. And it would need an uncommonly ambitious hotelier to operate it.

Enter E.M. Statler, the hotel king who made his name at American World’s Fairs and brought sophisticated new ideas to this exceptional hotel geared towards middle-class and business travelers.

But the Hotel Pennsylvania would have another claim to fame during the Swing Era. Its restaurants and ballrooms — particularly the Café Rouge  — would feature some of the greatest names of the Big Band Era.

Glenn Miller played the Cafe Rouge many times at the height of his orchestra’s fame. He was so associated with the hotel that one of his biggest hits is a tribute — “Pennsylvania 6-5000.”

The hotel outlived the demolition of the original Penn Station, but it currently sits empty and faces imminent demolition thanks to an ambitious new plan to rehabilitate the neighborhood.

Is this truly the last dance for the Hotel Pennsylvania?

Listen Now – Last Dance at the Hotel Pennsylvania

Special thanks to preservationists and friends of the show George Calderaro and Brad Vogel for advising us on the current plight of the Hotel Pennsylvania.


Songs Featured On This Show

“Pennsylvania 6-5000” by Glenn Miller and His Orchestra
“In The Mood” by Glenn Miller and His Orchestra
“Kiss and Make Up” by Vincent Lopez and His Orchestra
“Night Owl” by George Olsen and His Music, Ethel Shutta vocals
“I Cried For You” by Jimmy Dorsey and His Orchestra
“My Blue Heaven” by Artie Shaw and His Orchestra
“Moonlight Serenade” by Glenn Miller and His Orchestra
“Pennsylvania 6-5000” by The Andrews Sisters
“The People’s Court Theme”


The Official Spotify Playlist

E.M. Statler, one of America’s most famous names in hotels. Photo courtesy Western New York Heritage
Dinner and dancing on the Hotel Pennsylvania rooftop.

UPDATE: The hotel has been demolished. Rather bittersweetly, the space stands briefly open, allowing some interesting views of the surrounding buildings. They’ve still managed to put an electric billboard however.


FURTHER LISTENING

After you’ve listened to this show on the Hotel Pennsylvania, dive back into the back catalog and listen to these shows with similar themes:


The Bowery Boys: New York City History podcast is brought to you …. by you!

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This episode was released on August 13, 1991

Categories
Music History The Gilded Gentleman

The Opening of the Metropolitan Opera: A Gilded Age Drama, On and Off Stage

The opening of the new Metropolitan Opera at the height of the Gilded Age had perhaps more drama going on in the audience than on the stage.

Carl Raymond, host of The Gilded Gentleman history podcast, revisits one of America’s most famous opening nights.

The original Metropolitan Opera House — nicknamed the Yellow Brick Brewery for its bulky exterior design — was built by the families representing New York’s nouveau riche who felt slighted by Old New York’s upper class.

While it was technically Gounod’s opera Faust which played from the stage, most of the spectacle was actually in the audience — and up in the regal boxes, called the ‘golden horseshoe’ for its extravagant roster of social-climbing elite.

The original program, courtesy the Metropolitan Opera. (Click here for a closer view.)

Subscribe to The Gilded Gentleman on your favorite podcast player (including Apple Podcasts, Spotify, Stitcher, Overcast and more) to listen to the show and to get new episodes when they arrive every two weeks.

Visit The Gilded Gentleman website for more information on Carl Raymond and the podcast.

Artwork by Harry Grant Dart. Illustration published in book “From The New Metropolis : Memorable Events of Three Centuries, 1600-1900, from the Island of Mana-Hat-Ta to Greater New York at Close of Nineteenth Century. (New York : Appleton, c1899) Zeisloft, E. Idell, Author. New York Public Library
NEW YORK CHARITY BALL, 1884. A charity ball at the Metropolitan Opera House in New York City. Wood engraving, 1884. Library of Congress
A full house, seen from the rear of the stage, at the Metropolitan Opera House for a concert by pianist Josef Hofmann, November 28, 1937. Wikimedia Commons (touch up by Mmxx)
The opera house in the 1960s before demolition. Historic American Buildings Survey (Library of Congress)
Categories
Landmarks Mysterious Stories Podcasts

Ghost Stories by Gaslight: Hauntings of Old New York

A brand new batch of haunted houses and spooky stories, all from the gaslight era of New York City, the illuminating glow of the 19th century revealing the spirits of another world.

Greg and Tom again dive into another batch of terrifying ghost stories, using actual newspaper reports and popular urban legends to reveal a different side to the city’s history.

If you just like a good scare, you’ll enjoy these historical frights. And if you truly believe in ghosts, then these stories should especially disturb you as they take place in actual locations throughout the city — from the Lower East Side to the Bronx. And even in cases where these 19th-century haunted houses have been demolished, who’s to say the spirits themselves aren’t still hanging around?

Featured in this year’s crop of scary stories:

— A ghostly encounter at the Astor Library (today’s Public Theater) involving a most controversial set of mysterious books;

— A whole graduating class of ghosts stalks the campus of the Bronx’s Fordham University, and it may have something to do with either Edgar Allan Poe or the film The Exorcist;

— Just north of Washington Square Park in Greenwich Village, a haunted townhouse vexes several tenants, the sight of a hunched-over man in a cap driving people insane;

— In the shadow of the Brooklyn Bridge, a small apartment in today’s Two Bridges neighborhood becomes possessed by a poltergeist with a penchant for throwing furniture …. and punches. One vainglorious showoff named Jackie Hagerty learns the hard way;

— And before the days of Riverside Drive, a rustic old mansion once sat on the banks of the Upper West Side, with a mysterious locked room that must never be opened.

LISTEN TODAY: GHOST STORIES BY GASLIGHT


And of course listen to the entire collection of Bowery Boys ghost stories podcast here and in this Spotify playlist:


Ghost of the Astor Library

Wikimedia Commons/Internet Archives. Gleason’s Pictorial Vol. 6 No. 8 (February 25, 1854), Boston:124
Astor Library 1954. Harry Miller Lydenberg (July 1916). “History of the New York Public Library”. Bulletin of the New York Public Library 20: 570-571.; first published in Gleason’s Pictorial Drawing-Room Companion/Wikimedia commons
The librarian Joseph Cogswell

The Sorority of Ghosts

Poe Cottage, pictured 1900, Library of Congress
This 1840 image of Cunniffe House by engraver Benson J. Lossing, also includes the original Rose Hill Manor house, at left. (Image courtesy of Catholic Historical Research Center of the Archdiocese of Philadelphia via Fordham)
St. John’s Colllege, 1846, courtesy Fordham
St John’s College aka Fordham University, New York Public Library

The New York Sun, February 1892

New York Times, March 25, 1900

New York Times, October 20, 1900

New York Times, 1905 — Furniss Mansion an Interesting Souvenir of Older New York; If Its Walls Could Talk the “Old Colonial White House,” Facing Riverside Drive, Could Tell the Story of a Century’s Progress on This Island — Tale of Its Gentle and Studious Ghost.

Furniss Mansion, image courtesy Ephemeral New York

FURTHER LISTENING

This episode features ghost stories from places in New York City that we have extensively covered over the years. Here’s a few places to start:

Categories
American History Museums Podcasts

Theodore Roosevelt’s Wild Kingdom: American conservation history with Ken Burns

Theodore Roosevelt was a New Yorker and a rugged outdoorsman, a politician and a naturalist, a conservationist and a hunter. His connection with the natural world begin at birth in his Manhattan brownstone home and end with his death in Sagamore Hill.

He killed thousands of animals over his lifetime as a hunter-naturalist, most notably one of the last roaming bison (or American buffalo) in the Dakota Badlands. Many of his trophies hang on the walls of his home in Long Island; other specimens “live on” in institutions such as the American Museum of Natural History.

But as this episode’s special guest Ken Burns reveals in his newest mini-series The American Buffalo, Roosevelt’s relationship with the animal world was complicated and in certain ways, hard to understand today.

This episode marks the 165th anniversary of Roosevelt’s birth in October and the 100th anniversary of the opening of the Theodore Roosevelt Birthplace National Historic Site (which plays a small but important role in today’s story. )

As one of America’s great conservationists, President Roosevelt’s advocacy for wildlife and public land helped to preserve so much of the natural richness of the United States.

And his involvement in the creation of the New York Zoological Society (aka the Bronx Zoo) would set the stage for one ambitious project that would help bring the American buffalo back to the Midwestern plains.

LISTEN NOW: THEODORE ROOSEVELT’S WILD KINGDOM


Eleven-year-old Roosevelt was already creating his own museum of natural history.

A special thanks to documentary filmmaking legend Ken Burns for joining me on the show today. His latest project The American Buffalo debuts on PBS on October 16, 2023.

And the story is elaborated upon in a new book by Burns and Dayton Duncan


The 1902 Clifford Berryman editorial cartoon which inspired the creation of the Teddy Bear


Theodore Roosevelt’s New York

Some images from the Theodore Roosevelt Birthplace National Historic Site

Photo by Greg Young
Photo by Greg Young
Photo by Greg Young

Displays from the American Museum of Natural History’s Theodore Roosevelt exhibition

Photo by Greg Young
Photo by Greg Young

The bisons of the Bronx Zoo and the lion house, where the American Bison Society was founded.

Photo by Greg Young
Photo by Greg Young
Photo by Greg Young

Roosevelt’s Long Island home Sagamore Hill

Photo by Greg Young
Photo by Greg Young

Black Diamond at the Central Park Zoo. The animal became the model for the 1913 buffalo nickel but was slaughtered two years later.

Martha, the last surviving passenger pigeon. When she died at the Cincinnati Zoo, passenger pigeons became extinct.

1912, Wikimedia Commons

FURTHER LISTENING

After listening to this show about Theodore Roosevelt, the bison and the origins of the American conservation movement, head back to some our previous shows with related themes:


FURTHER READING

The American Hunter—Naturalist and the Development of the Code of Sportsmanship” / Thomas A. Altherr
The American Museum of Natural History and How It Got That Way / Colin Davey
Blood Memory: The Tragic Decline and Improbable Resurrection of the American Buffalo / Dayton Duncan and Ken Burns
The Hunter’s Aim: The Cultural Politics of American Sport Hunters, 1880-1910,” Journal of Leisure Research / Daniel Justin Herman
Hunting Trips of a Ranchman / Theodore Roosevelt
Last Stand: George Bird Grinnell, the Battle to Save the Buffalo and the Birth of the New West / Michael Punke
The Naturalist / Darrin Lunde
Pictures in the Papers,” The American Mercury / Walt McDougall
The Rise of Theodore Roosevelt / Edmund Morris
The River of Doubt: Theodore Roosevelt’s Darkest Journey / Candace Millard
The Wilderness Hunter / Theodore Roosevelt
The Wilderness Warrior: Theodore Roosevelt and the Crusade for America / Douglas Brinkley

Categories
Music History Neighborhoods Podcasts Writers and Artists

Walking the East Village: Culture Among The Ruins 1976-1996

PODCAST The rebirth of the East Village in the late 1970s and the flowering of a new and original New York subculture — what Edmund White called “the Downtown Scene” — arose from the shadow of urban devastation and was anchored by a community that reclaimed its own deteriorating neighborhood.

In the last episode (Creating the East Village 1955-1975) this northern corner of New York’s Lower East Side became the desired home for new cultural venues — nightclubs, cafes, theaters, and bars — after the city tore down the Third Avenue Elevated in 1955.

But by the mid 1970s, the high wore off. The East Village was in crisis, one of the Manhattan neighborhoods hit hardest by the city’s fiscal difficulties and cutbacks. It had become a landscape of dark, unsafe streets, buildings demolished in flame.

But the next generation of creative interlopers (following the initial stampede of Greenwich Village beatniks and hippies) built upon the legacies of East Village counter-culture to create poems, music, paintings and stage performances heavily influenced by the apocalyptic situations around them.

This was something truly distinct, a creative scene that was thoroughly and uniquely an East Village creation — punk and hardcore, murals and graffiti, fashion and drag,

And much of that was created by people who did not fit in anywhere else in the world, whether that world which rejected them was a Queens suburb or New Jersey or the Midwest or well beyond. 

Photo: New York Daily News Archive

In this episode Greg hits the streets of the East Village with musician and tour guide Krikor Daglian (of True Tales of NYC), exploring the secrets of the recent past — from the origins of skateboarding to the seeds of the American alternative rock scene.

Follow along as they traipse to classic music venues and dive bars to uncover the special ingredients which made the East Village a most special place at the end of the 20th century.

FEATURING: CBGB, Supreme, the Pyramid, Club 57, Niagara, 7B, Brownies and many others

AND special guests Bill Di Paola from the Museum of Reclaimed Urban Space and Ramon ‘Ray’ Alvarez from Ray’s Candy Store

LISTEN HERE: WALKING THE EAST VILLAGE 1976-1996


When you’re done listening to this week’s show, check out our special Walking the East Village playlist, curated by Krikor and Greg:


We love you Ray!

Krikor and Greg with producer Kieran Gannon

Book tours with this episode’s special guest Krikor Daglian here and with Bowery Boys Walks. Krikor’s next “Artists, Oddballs & Provocateurs: East Village Since the 1950s” tours are on Saturday, October 7th and Saturday, November 4th.


Producer Kieran Gannon with Krikor and Bill De Paola

FURTHER LISTENING

After you listen to this week’s episode, check out these episodes with related themes:


FURTHER READING

The Drag Explosion: New York City’s Drag Scene of the 1980s and 90s / Linda Simpson
From Urban Village to East Village / Janet L. Abu-Ludhod
New York Rock: From the Rise of the Velvet Underground to the Fall of CBGB / Steven Blush
St. Marks Is Dead: The Many Lives of America’s Hippest Street / Ada Calhoun
The Village: 400 Years of Beats and Bohemians, Radicals and Rogues / John Strausbaugh
This Must Be The Place: Music, Community and Vanished Spaces in New York City / Jesse Rifkin

By a very fun coincidence, our two time guest — the marvelous Hugh Ryan — just so happens to have written “The Trashy, Freaky, DIY East Village Scene That Birthed Modern Drag” for Curbed this week. Excellent article about the 80s East Village drag scene with a focus on the Pyramid — where Greg and Krikor recorded some of the show!