Categories
Amusements and Thrills

Subway Tavern: ‘greasy’ church-operated bar alternative

 

LOCATION: Subway Tavern
Bleecker and Mulberry, Manhattan
In operation 1904-05

The early planners of the New York City subway negotiated that very first route through some of the city’s mostly heavily populated areas, those obviously in need of rapid transit. The locations of the first underground stations were based on the amount of available space at key cross streets. If you happened to own property along the route and specifically near a planned station, you would have hit the proverbial jackpot in 1904, the year the subway opened.

And so begins the tale of the Subway Tavern, at the corner of Bleecker and Mulberry, which tried to monopolize on this lottery of suddenly-valuable real estate with the worst idea in the history of New York City nightlife — a moral tavern.

1905, Greenwich Village, Manhattan, New York, New York, USA — Subway Tavern 47 Bleeker Street. — Image by © Bettmann/CORBIS

Like all religious leaders, the Bishop Henry Codman Potter of the Episcopal Diocese of New York was gravely concerned with the evils of alcohol upon the poorest classes and the newest arrivals from Ellis Island. Most of the temperance stripe preferred to hit areas most soaked in booze — particularly the Bowery — with bibles in hand and moral example on display. Often to no avail and to the occasional danger to the proselytizers themselves.

Potter (pictured below), a rector at Grace Church, thought outside the box. His own ideas for social reform were radical for the time but some (like daycare in churches) seem standard and even obvious today. Although he lived rather luxuriously — his stately home at 89th and Riverside Drive is still standing — he made a point, even after his ascension to bishop, to work regularly in poor neighborhoods.

He was often a voice for labor groups and consistently berated Tammany Hall for its abuses. Nobody could say the man’s heart was not in the right place. Which made it all the more shocking when he decided one day that the Episcopal Church should open a tavern.

Since it seemed unlikely that people would stop drinking entirely, went his theory, why not found an establishment where proper and gentlemanly drinking would be encouraged? A place where the staff could monitor and guide patrons to more responsible imbibing.

Potter found the perfect location, a former saloon owned by future Fire Commissioner Joseph ‘Oak’ Johnson, at the corner of Bleecker and Mulberry streets and sitting right in front of a new subway entrance. Although the trains would not run for another few months, the new experiment was dubbed the Subway Tavern.

Potter christened the new tavern on August 2, 1904, opened with $10,000 in funds from distinguished citizens, including money from U.S. representative Herbert Parsons and former lacrosse star Elgin Gould. In case anybody was unclear of the intentions of the unusual establishment, a holy doxology was performed to an enrapt, standing-room-only audience.

Courtesy Museum of the City of New York

The Subway Tavern was to operate like a respectable upper-class club, except for poorer folks. “I belong to many clubs which I can go,” remarked the bishop, “but where can the toiler go?” Where, indeed!

Potter honestly believed the Subway Tavern could be jovial and free-spirited without becoming debaucherous. The front room, adored with a sign ‘To The Water Wagon’ playfully overhead, would be open to both sexes “with a ‘sanitary’ soda water fountain where beer will be served to women.” [source] Men would have a private room behind some swinging saloon doors in the back.

As the bar was funded by donations, the ‘evils’ of profit were eliminated. And thus, reasoned Potter, bartenders would not encourage patrons to drink. Men and women could come to converse, read a newspaper and have one — maybe two — drinks. Employees were to closely watch the intoxication levels of customers; if one even looked tipsy — if say, somebody appeared to be enjoying their drink a wee too much — they would be cut off. Healthy food would also be on hand downstairs to soak up any amoral toxins in the belly.

As the New York Times lightly mocked, “The benevolent bartenders … are anguished when they are compelled to serve whisky, and … dimple with joy when sarsaparilla pop is ordered.”

Naturally, many Episcopalians were not too thrilled having their church associated with a tavern just a couple blocks from the Bowery. Many dubbed it ‘The Bishop’s Inn’. The experiment made national headlines and was greeted with remarks like those from Pittsburgh pastor J.T. McCrory: “I supposed the ‘Subway Tavern’ was called that because it is an underground way to hell.” (Several accounts I read seemed to believe the tavern was actually in the subway.)

Another preacher called it a “low down, greasy Bowery saloon.” Shocked clergy flocked from other cities to gander at this oddity and register their opinion to the press. “I do not think it will turn the tide of drunkenness,” said one stunned clergyman, “nor will it solve or diminish the curse of rum.”

The naysayers were right. The Subway Tavern turned out to be a horribly ill-conceived idea, and its flaws were magnified several months after the subway opened in October 1904. When a reporter for the Advance visited the pub in September 1905, they found the exterior covered in ‘tattered’, ‘stained’ advertisements, a main barroom empty and most surfaces covered in flies.

Presumably, patrons quickly grew tired of being stately. As the Advance so plainly stated, “The liquor sold at the Subway does not make men sober. There is no method by which a young man learning the drink habit may not go elsewhere to complete his ruin.”

Within days of the Advance’s visit to the Subway Tavern, the holy drinking establishment closed up and reopened as a no-pretenses ‘out and out saloon’. Bishop Potter died just a few years later with a mostly unblemished record.

Many years later, the structure that once housed the Subway Tavern was ingraciously replaced with this building.

 

This article originally ran as part of our FRIDAY NIGHT FEVER series entry. Past entries can be found here.

Categories
Politics and Protest Uncategorized

When Carrie Nation comes to town, saloon owners brace for impact

The passage of the 18th Amendment in 1919 — prohibiting the sale of alcohol in the United States — failed to sober up the country. It merely drove its unquenchable thirst underground.

Prohibition came about because of an extraordinary union of disparate groups — religious folks, racists, progressives, nativists — all possessing different motivations for banning booze.  It was a movement decades in the making.

One of the most radical superstars of the movement was Carrie Nation, that hatchet-wielding temperance terror whose unorthodox and non-peaceful displays of protest made her a national celebrity.

Library of Congress

Literally taking directives from God, Nation battle-axed her way through small Midwestern towns, protesting the sale of liquor with violent force, chopping at bartops, bottles and furniture with her signature hatchet, accompanied by a righteous choir of church ladies belting hymns while dodging splinters.

Nation was regularly arrested and fined, but under the cover of doing God’s duty — and riding a swell of anti-liquor sentiment — she managed to continue her vicious tirade across the country, becoming the temperance movement’s most colorful star by the turn of the century. She even sold minature replicas of her well-known weapon to fund her cross-country adventures.

Nation’s reputation had obviously preceded her when she arrived in New York on August 28, 1901.

Law enforcement and nervous saloon owners braced for the worst. After freshening up in a suite of rooms arranged for her at the Victoria Hotel on 27th Street and Broadway, Mrs. Nation headed down to police headquarters on Mulberry Street to address the general drunkenness conditions of the city directly with police commissioner Michael Murphy.

Their exchange was not pleasant. Nation, called ‘the feminine devastation’ in one press report, demanded to know why the city kept saloons open on Sunday. Murphy replied that it was legal to do so. She bitterly lectured back with a Bible verse; New York “is full of hell holes and murder shops,” she cried.

“Don’t quote scripture at me, Madame. Go back to Kansas and get that off on your husband,” the commissioner replied.

After a few more volatile exchanges, Nation was forcefully removed from police headquarters. (Certainly, this result was one she had intended. Her press agent was waiting outside with a throng of curious onlookers.) Nation next decided to harangue the mayor and prepared to visit City Hall. When message was sent that the mayor didn’t care to meet with the fiery reformer, Nation decided to do what came most naturally — she headed for a bar, hatchet in hand.

The unfortunate establishment in her crosshairs was that owned by famed boxer John L. Sullivan, himself a celebrity of some flamboyance. Having spent the 1880s as one of America’s most legendary bare-knuckle fighters, he was famously brought down (in a gloved match) by ‘Gentleman’ Jim Corbett in 1892. Like many boxing stars before him, Sullivan ended up in New York as a saloon owner, at 1177 Broadway, between 27th and 28th streets (at right). And right near the hotel hosting Carrie Nation!

In a bit of braggadocio, Sullivan had proclaimed to the press that if Nation ever bothered to stop by, he would “thrust her into a sewer hole.”

Nation accepted the invitation, arriving by carriage and demanding Sullivan meet her out front. The famed boxer, however, refused to come outside, the New York Times even mentioning, “a shutter in one of the blinds in the room usually occupied by Mr. Sullivan was seen to move.”

The mighty athlete was certainly fearful of his property being chopped to ribbons. This wasn’t some Bowery dive bar, after all. But while the authorities were certainly no friends of Nation, she was a very popular symbol among New York’s temperance supporters. Arresting such a known figure would have actually played into Nation’s intentions.

Best to wait out the storm, I suppose. By that afternoon, Nation has left town via Grand Central, off to more wily stunts in the Midwest. Drinkers and cops alike raised a toast in relief.

Police commissioner Murphy later said of Nation: “She is an old barge, a real old nag. She has a bad, vicious face. I guess there’s method in her madness,” implying her crusades were more for fame than Christian salvation.


BY THE WAY: A few summers ago I took a trip back to Ozarks (where I’m originally from) and spent an evening in marvelous Eureka Springs, Arkansas. Carrie Nation spent her final years here, appropriately opening a boardinghouse for widows and proper ladies called Hatchet Hall. The Hall is still preserved near the center of town (pictured below) and across from a boarded-up water spring that was also named in Nation’s honor. She collapsed during heated speech right up the road from Hatchet Hall in 1911 and died shortly thereafter in a Kansas hospital.

Picture of Sullivan’s courtesy Sepiatown. Picture of Hatchet Hall courtesy me.  Portions of this article originally ran in 2011

Categories
Politics and Protest

Jimmy Walker vs. the Ku Klux Klan

Jimmy Walker, the man who would become the mayor of New York during one of its most prosperous periods, was famously cavalier about politics. [Listen to our podcast on Mr. Walker for more information.] But in the years before he became mayor, he actually spearheaded two laws that would change New York City and the state of New York forever.

The first brought one of America’s great pastimes back into vogue: boxing. The sport was technically illegal for much of the 19th century — which didn’t stop New York from becoming the boxing capital of the United States — until a 1911 law briefly brought back.

Reformers banned it again in 1917 only to be met head-on by a powerful and well-connected member of the New York state senate who also just happened to be a boxing enthusiast — Jimmy Walker. The 1920’s Walker Law would bring back the sport for good.

His second great legislative contribution would set the stage for civil rights laws across the country.

Below: Funeral procession for a Ku Klux Klan member, held in Cold Spring, Putnam County, New York, 1920s.

Courtesy NYPL

The Ku Klux Klan, a racist vigilante organization formed in the Reconstruction South, gained new prominence in the mid-1910s thanks to the popularity of the film The Birth of a Nation.

Feeding off anti-black, anti-Catholic and anti-immigrant fervor, the newly reinvigorated organization rose to power in the early 1920s in many big American cities. By 1922 there were 21 distinct klaverns in New York City alone.

But in a city full of powerful Catholics, immigrant groups of all types, and an empowered African-American population rising in Harlem, one might have expected a reactionary force like the KKK to be even bigger in New York City. That’s where Walker comes in.

Walker, born an Irish Catholic, was closely associated with Al Smith, the new governor of New York who was also Catholic. Both were Democrats and also aligned with the needs of the city’s Irish community. (Not to mention Tammany Hall, the political organization whose power had diminished since its Gilded Age glory days.)

A rising swell of anti-KKK sentiment in New York City came in 1921 with the publication of a series of damning articles in the New York World, effectively neutralizing the klan’s influence in denser portions of the city. Mayor John Hylan “launched an all-out war” on the KKK, throwing them out of Manhattan wherever possible.

Below: Advertisements for the newspaper series ran in competing newspapers. From the September 5, 1921, New York Tribune:

The Klan hit back with full page ads like the one below:

In no uncertain terms, Hylan declared, “Do not leave a stone unturned to ferret out these despicable, disloyal persons who are attempting to organize a society the aims and purposes of which are of such a character that were they to prevail, the foundation of our country would be destroyed.”

Below: A 1928 anti-Catholic cartoon published in the book Heroes of the Fiery Cross by the Pillar of Fire Church in Zarephath, New Jersey

But targeting the KKK was not merely a moral mission for Walker, the future mayor of New York City.

Nationally the KKK were a rising political power within the Democratic party of the 1920s. In fact the the 1924 Democratic National Convention, held at Madison Square Garden to select a presidential candidate, was almost derailed by their inclusion.

Smith, Walker’s ally, was planning on running for president in 1924. (He was overlooked that year but eventually became the party’s candidate in 1928). Limiting a hate group like the Ku Klux Klan — a hate group with rising power — within the state would certainly lessen their impact within the party.

By early 1923, Walker was the state senate leader and introduced a bill into the chamber, placing limits on ‘oath-based associations’ that would require them to file a list of their membership with the state. The Klan were essentially being unmasked; the names of their members would become public record.

From the Brooklyn Daily Eagle:

*The bill exempted labor unions and, “officially chartered benevolent orders” like the Elks Lodge.

The bill swept through the state senate, (barely) made it through the assembly, before landing on Governor Smith’s desk for a swift passage.

Even with the ‘anti-masking’ law in place, the klan found receptive crowds in the region.

Thousands of Klan members marched in protests immediately following the law’s implementation.

“The demonstrations by tens of thousands of Ku Kux Klansmen on Long Island, in New Jersey and in various parts of New York State yesterday and Saturday were staged as a spectacular defiance of the Klan’s enemies.” [Eagle, 5/28/1923]

Below: A scene from Long Island, 1925. “Four women kneeling in front of strouded Klansman reading from a book; other Klansmen stand behind them on the platform; spectators watch initiation.”
Library of Congress

The spirit of the law was more powerful than its specifics. The Ku Klux Klan was effectively turned into an illegal organization that day. Many states would use Walker’s tactics in crafting their own anti-Klan laws.

The Klan attempted to overturn Walker’s law, taking it all the way to the Supreme Court. On November 20, 1928, the court upheld the law, specifically marking the klan as a terrorist group, “its members disguised by hoods and gowns and doing things calculated to strike terror into the minds of the people.

Once the Great Depression arrived, the organized KKK was all but gone in the New York region, retreating to “a shadowy existence in the South.”

Listen to more on the story of Jimmy Walker here:

Categories
The First

Lightning Strikes: The Philadelphia Experiment of Benjamin Franklin

THE FIRST PODCAST How much do you know about one of the most famous scientific experiments in American history?

In 1752 Benjamin Franklin and his son William performed a dangerous act of experimentation, conjuring one of nature’s most lethal powers from the air itself. This tale — with the kite and the key — has entered American urban legend. But it did not happen quite the way you learned about it in school. (Did you know somebody died trying to duplicate Franklin’s astonishing feat?)

In this second chapter of The Invention of Benjamin Franklin, the inventor becomes an international celebrity thanks to his clear writing style and pragmatic outlook. Not only would he change the field of electrical sciences, he would even change the English language.

PLUS: London inspires the invention of a beautiful glass instrument, capturing the music of the 18th century.

To get this episode, simply download it for FREE from iTunes or other podcasting services. Check here for other ways to get the show.

Subscribe to The First here so that you don’t miss future episodes!

You can also listen to the show on Stitcher streaming radio from your mobile device.

Or listen to it straight from here:
LIGHTNING STRIKES: BENJAMIN FRANKLIN’S PHILADELPHIA EXPERIMENT

 

Categories
Politics and Protest

Duck and Panic: Six 1950s New York atomic panic (and anti-communist) videos

The early 1950s provided residents of New York with ample reasons for doom and gloom, thanks to fears of an atomic attack. America paid the price for using the bomb on Hiroshima and Nagasaki, helping to end World War II, by living with the anxiety of an atomic horror on its own shores for the next forty years. Not surprising, this was the decade that the destruction of New York City began graphically appearing in motion pictures in earnest.

Below: 1950s magazines got in on the game too —

Although a great many films focused on the destruction of West Coast cities — the famous A Day Called X depicts the evacuation of Portland, Oregon — New York City also received its fair share of warning due to its size and prominence. Videos on survival and the construction of fall-out shelters, meanwhile, usually focused on the suburbs.

1. Civil Defense: NY Streets Cleared In Air Raid Drill
The citizens of New York City, a rather ‘prime target for an atomic attack’, prepare for an enemy ‘onslaught’ in an orderly fashion, at least according to this video. No panics, only ‘precision’.

2. Duck And Cover
The classic ‘duck and cover’ video was produced in 1951 using children from P.S. 152 (today the Gwendoline N. Alleyne School) in Woodside, Queens. Perhaps one of your parents stars in this video? The use of an animated turtle playfully hid the consequences of the bombardment of radiation and helpfully ignored how useless a maneuver like duck and cover would possibly be in such an attack.

3. Air Raid!
From the WNYC-produced film The Price of Liberty in 1952, this well-directed video is structured like a suspense film. We’re in good hands, thanks to ‘brazen voiced shrieks’ and some film noir shadow effects.

4. Pattern For Survival

This coolly produced film, released in October 1950,  featured William L. Laurence, science writer for the New York Times, in full scare mode. Although this one looks like it was filmed elsewhere (possibly Los Angeles), the animated sequence is clearly a city of the size and shape of New York. *sigh* This film came out less than a year before The Day The Earth Stood Still, embedding the ideas of non-fiction survivals into Hollywood dramas.

5. Atomic Attack
Then, if you have the stomach, there’s an entire 1953 50-minute film about a suburban family who — thankfully — live just outside of New York City to survive a devastating blast from a hydrogen bomb. From the company that now provides you with cell phones!

 

6 He May Be A Communist
Of course, the real threat are the communists in our midst. Luckily in this video, New York proves to be stridently anti-Communist. Look there’s a parade!

 

Categories
Podcasts The Jazz Age

Jimmy Walker, Mayor of the Jazz Age (NYC and the Roaring ’20s Part One)

PODCAST For the first part in our New York City in the Roaring Twenties summer mini-series, we’re hitting the town with “Beau James,” New York’s lively and fun-loving mayor Jimmy Walker.

And the king of it all was Jimmy Walker, elected mayor of New York City just as its prospects were at their highest. The Tin Pan Alley songwriter-turned-Tammany Hall politician was always known more for his grace and style than his accomplishments. His wit and character embodied the spirit (and the spirits) of the Roaring ’20s.

The 1920s were a transformational decade for New York, evolving from a Gilded Age capital to the ideal of the modern international city. Art deco skyscrapers reinvented the skyline, reorienting the center of gravity from downtown to a newly invigorated Midtown Manhattan. Cultural influences, projected to the world via radio and the silent screen, helped create a new American style.

Join us for an after-midnight romp with the Night Mayor of New York as he ascends to the most powerful seat in the city and spends his first term in the lap of luxury. What could possibly go wrong?

LISTEN NOW: KING OF THE JAZZ AGE


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Walker having his morning coffee at his home on 6 St. Lukes Place (pictured below)

Courtesy MCNY

Jimmy Walker with Charles Lindbergh in 1927, in the midst of a ticker tape parade after his non-stop ride from Long Island to Paris.

Courtesy New York Social Diary

Walker so enjoyed throwing public events for famous people that he was frequently parodied for it. In 1932 Vanity Fair pictured him giving a lavish welcome — to himself.

Conde Nast

Harry McDonough with The Elysian Singers from 1905, singing Walker’s big hit “Will You Love Me In December As You Do In May.”

The dashing fashion plate, pictured here most certainly on his way to yet another vacation…..

….perhaps his European vacation! He’s pictured here in 1927, strolling the streets of Venice with a few hundred people behind him.

A picture of Jimmy, actually at work! He’s swearing in the new fire commissioner James J. Dorman in 1926.

Mayor Jimmy Walker with British Prime Minister Ramsay MacDonald at yet another welcoming ceremony, broadcast on the radio.

MCNY

Another British visit, this time from Mrs Foster Welch, Mayor of Southampton.

In another Pathe video, Jimmy Walker visits Ireland and the former home of his father.

During Walker’s extraordinary rise, New York was becoming an entirely new city in the 1920s with construction projects on virtually on every block. Even in front of the Hotel Commodore (pictured here in 1927), which was, for a time, the home of Jimmy Walker.

Park Avenue (at 50th Street) in 1922.

MCNY

Park Avenue at 61st Street in 1922. The rich flocked to this newly developed street of apartment complexes, making it the new center of wealth.

And now, for a little glamour, a few shots of Yvonne Shelton, then Betty Compton, Walker’s two most famous girlfriends (who he wooed while married to wife Janet).

wikiart
Courtesy Historial Ziegfeld
Photographs above by Alfred Cheney Johnston.

She most famously starred in 1927’s Broadway production of Oh Kay! starring Gertrude Lawrence. Here’s Lawrence singing a famous song from that show:

IN TWO WEEKS: Chapter Two of our series on the Roaring ’20s, rewinding back to the beginning of the decade and introducing you to another icon of the Jazz Age. Who will it be?
Categories
Writers and Artists

A Tribute to Sam Shepard, Pioneer of New York’s Off-Broadway stage

The Pulitzer Prize-winning playwright and actor Sam Shepard,  who passed away today at age 73, is remembered for many classic film roles and triumphant plays which embodied a gritty American aesthetic.

But he was also a pivotal contributor to the development of Off and Off-Off Broadway theater in New York City during the 1960s and early 1970s. In fact, I think it’s fair to say we would not have such a healthy independent theater scene without his influence.

This morning I looked at his early work in a New York City in this series of tweets. Here’s the tweet series along with some additional information:

Image at top courtesy the official Sam Shepard website, taken at the Magic Theatre, San Francisco, 1983, photographer unknown

 

 

Categories
The First

The Invention of Benjamin Franklin Part One: Franklin Gothic (1706-1748)

THE FIRST PODCAST   Benjamin Franklin did more in his first forty years than most people do in an entire lifetime. Had he not played a pivotal role in the creation of the United States of America, he still would have been considered an icon in the fields of publishing, science and urban planning.

How much do you know about Benjamin Franklin the inventor? In this podcast (the first of three parts), Greg takes a dive into his early years as a precocious young inventor and writer, a witty and determined publisher, and a great mind in search of the natural world’s great mysteries.

FEATURING: The origins of the lending library, the Franklin stove, swim fins and even kite-surfing!

To get this episode, simply download it for FREE from iTunes or other podcasting services. Check here for other ways to get the show.

Subscribe to The First here so that you don’t miss future episodes!

You can also listen to the show on Stitcher streaming radio from your mobile device.

Or listen to it straight from here:
THE SECRET HISTORY OF SOFT DRINKS: A TALE IN FOUR FLAVORS

 

In a couple murals by Charles E. Mills, Benjamin Franklin 1) working hard at the printing press and  2) oversees the opening of the Library Company of Philadelphia.

 

The New-England Courant, where Franklin wrote as a teenager under the name Silence Do-Good:

From the Massachusetts Historical Society. Not to be reproduced without permission.

 

Ben Franklin in 1746 in a painting by Robert Feke. He’s very much emulating the style of a proper English gentleman in this image. He would later shed the finery and define his more personal, unwigged style.

A large Franklin stove although they would develop into different shapes and sizes in the hands of other inventors.

Categories
Adventures In Old New York

The Story of Bayard’s Mount, Lower Manhattan’s Missing Mountain

Bayard’s Mount, one of the highest points in Manhattan, has been gone for more than two hundred years. Where other hills and high points have been incorporated into the modern topography New York, this old hill was wiped from the map.

Bayard’s Mount used to sit at around where Mott and Grand Streets meet today, in today’s Little Italy. Indeed, back when nearby SoHo was but a dense thicket of oak and tulip trees, the Mount was the best place to view the waters of Collect Pond, the wild northern orchards, and the flat tidal creeks to the west.

A smaller hilltop, called Mount Pleasant, sat to its east and, with the introduction of Europeans, a farm road (Bowery) ran along it. Sitting atop Bayard’s Mount, a person could wile away the day watching travelers going along the Bowery, to and from the city.

A watercolor by artist Archibald Robertson in 1798, looking south, with Bayard’s Mount/Bunker Hill to the left and Collect Pond dead center.

Some reminiscences refer to Bayard’s Mount and Mount Pleasant as the same hill, and they were close enough they seem to be part of the same ridge.

After the territory went from Dutch to British hands in the mid-17th century, most of this property fell into the hands of Nicholas Bayard, and the “small, cone-shaped mount” took on the name of its landowner, who built his sturdy estate just to its north. Even by the early 18th century, Bayard’s family would still have few neighbors; swampy ground prevented much development west, while property to the east eventually belonged to James DeLancey, the governor of the colony.

Below: A later 19th century property map highlights the broken western border of Bayard’s farm. The wetlands known as Lispenard’s Meadow prevented the estate from developing further westward.

The mount took on a more serious purpose with the onset of the Revolutionary War. In March of 1776, “One third of the citizens were ordered out to erect new works; they began a fort upon Mr. Bayard’s Mount near the Bowery.” [source]

This fortification, built in anticipation of a messy battle with the British, was named after a critical battle the year previous at Bunker Hill in Boston; soon, the hill itself took on the name, and in most histories after 1776, this place at today’s Mott and Grand Streets is officially known as Bunker Hill. Notably stationed here at Bunker Hill was Nathan Hale.

There would be no significant altercations here between British troops and the Continental Army. No, in fact, the bloodshed would wait until after the war, when the hilltop would be known as a fashionable place to host your duel.

For instance, in 1787, a disagreement between two French men ended in a duel here and the death of one of them, a “Monsieur Chevalier de Longchamps” who was apparently no stranger to offense and violent response.

Below: From Montressor’s map of Manhattan, 1755, you can see Bayard’s property and both hills — Bayard’s Mount and Mount Pleasant, the elongated hill. The Bowery runs along the bottom right hand of the illustration, with Collect Pond in the bottom left corner. You can also see the grid plan of Bayard’s farm (which was ultimately adapted for the modern street plan of SoHo).


In July 1788, to celebrate the federal ratification of the Constitution, a procession marched through the city and ended its revelry at Bayard’s Mount/Bunker Hill, where “ten enormous tables laden with provisions” and hundreds of pounds of roasted ox were served to hungry patriots. Several years later, in 1795, a different gathering, angered by their governor John Jay over his (perceived) treasonous treaty with the British, burned his portrait in a bonfire here.

Another curious pastime at the hilltop was the British sport of ‘bull baiting’, where a bull would be tied to a stake and slowly tortured by angry dogs. Why this is of any visible amusement is beyond me, although its cousin ‘bear baiting’ is still sometimes practiced in Pakistan.

Below: A bit of this nasty little pastime out in Long Island as it was advertised in 1774

New York was outgrowing the southern point of Manhattan, and former deterrents for expansion — the marshes of Lispinard’s Meadow, polluted Collect Pond, and of course, Bayard’s Mount — were slated for elimination. The ponds and marshes would soon be drained, creating Canal Street, and Broadway expanded further north. (Listen to our podcast on Collect Pond and Canal Street for more information.) By then, Bayard’s was but a memory.

Beginning in 1802, workmen began levelling Bayard’s Mount and Mount Pleasant which also included moving the old Bayard family crypt which had its entrance at the bottom of the hill. Unfortunately, it was discovered that a “hermit or ragman” had moved into the vault and turned it into his very own macabre home. Remarkably, the man was allowed to live there — “he was somewhat feared and not much troubled by visitors” — until he was found one day dead in the vault.

By the time Collect Pond was completely drained (around 1811), the hills to its north had gone, replaced with land lots and the first hints of townhouses and new businesses.

Below: From an 1821 New York Evening Post, an advertisement for plots on the old Bayard farm — at Bayard Street and Mott Street, just a couple blocks south of the location of the Mount

Another clipping from an 1888 New York Evening World, recalling the landscape here:

 

Below: The approximate position of where Bayard’s Mount would have been:


View Larger Map

 

A version of this article originally ran in October 2010

Categories
Neighborhoods Podcasts

The Story of SoHo: The Iron-Clad History of ‘Hell’s Hundred Acres’

PODCAST The history of SoHo, New York’s 19th century warehouse district turned shopping mecca

Picture the neighborhood of SoHo (that’s right, South of Houston) in your head today, and you might get a headache. Crowded sidewalks on the weekend, filled with tourists, shoppers and vendors, could almost distract you from SoHo’s unique appeal as a place of extraordinary architecture and history.

On this podcast we present the story of how a portion of Hell’s Hundred Acres became one of the most famously trendy places in the world.

In the mid 19th century this area, centered along Broadway, became the heart of retail and entertainment, department stores and hotels setting up shop in grand palaces. (It also became New York’s most notorious brothel district). The streets between Houston and Canal became known as the Cast Iron District, thanks to an exciting construction innovation that transformed the Gilded Age.

Today SoHo contains the world’s greatest surviving collection of cast-iron architecture. But these gorgeous iron tributes to New York industry were nearly destroyed — first by rampant fires, then by Robert Moses. Community activists saved these buildings, and just in time for artists to move into their spacious loft spaces in the 1960s and 70s. The artists are still there of course but these once-desolate cobblestone streets have almost unrecognizably changed, perhaps a victim of its own success.


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A map of the Bayard farm and how it was broken up and carved into the streets we know today.

Niblo’s Garden, located at Broadway and Prince Streets, was one of the finest theaters along Broadway in the area of today’s SoHo.

Looking north along Broadway between Grand and Broome Street. The St. Nicholas Hotel is the white structure in the center of the photo.

Photo attributed to Silas A Holmes

An auction poster from 1872 advertising a property on Broome Street and “South Fifth Avenue or Laurens Street” — today’s West Broadway.

MCNY

Here is that corner at 504-506 Broome Street — in 1935 (photo by Berenice Abbott). Per Sean Sweeney on Facebook: “The two buildings were demolished and for years were a parking lot. Now a new 3-story retail building sits in their place.”

NYPL

The house at 143 Spring Street — in 1932 (photograph by Charles Von Urban) and today (it’s a Crocs shop!)

Museum of City of New York/Charles Von Urban collection

491 Broadway at Broome Street — in 1905 (photograph by the Wurts Bros.) and today

James Bogardus, the man who helped give SoHo its distinctive appearance thanks to his vigorous marketing and promotion of cast-iron architecture.

The first cast-iron structure in New York, built in 1848, was further south at the corner of Centre and Duane Streets.

NYPL

Robert Moses’ view of Broome Street via his project Lower Manhattan Expressway project. Broom Street would have had an elevated highway, enclosed within modern buildings. A view of surviving cast-iron architecture on the right.

SoHo would have been eliminated (or greatly reduced) by Moses’ project which was thankfully nixed.

Map produced by vanshnookenraggen

A map of the art galleries in the SoHo art scene during the 1970s.

SoHo Artists Association Records, 1968-1978. Archives of American Art, Smithsonian Institution

From a 1971 SoHo newsletter: The criteria for qualifying as an artist — and eventual resident — of a specially-zoned loft in SoHo. M1-5A and M1-5B were the newly created work-living zones.

SoHo Artists Association Records, 1968-1978. Archives of American Art, Smithsonian Institution

We greatly encourage you to check out the SoHo Memory Project for a lot of fantastic and often deeply personal recollections about the SoHo days of yore.

For further listening, check out the following Bowery Boys podcasts which were referenced in this week’s show:

Before Harlem: New York’s Forgotten Black Communities (#230) for information on first farms of the city’s first black New Yorkers

Niblo’s Garden (#113) for the history of the district’s most famous entertainment center

Our podcasts on Robert Moses (#100) and Jane Jacobs (#200)

And we really hope our show inspires you to check out two films that features interesting views of SoHo during its chic gallery phase — The Eyes of Laura Mars and After Hours

Categories
Revolutionary History

The Martyr and the Traitor: Choosing Sides In The Revolutionary War

You may know Nathan Hale well from history books or from New York’s numerous memorials as a symbol of American patriotism, dying for his country long before anybody actually thought it would ever be a country.

The British hanged him in New York as a spy in the aftermath of the Great Fire of 1776. He had performed no great deed for George Washington and his army — his intel never made it back to the general — except for volunteering for the spy mission in the first place.  His gift to the future United States was in believing it would exist.

Courtesy NYPL

But what if things had been a little different in the life of Mr. Hale as a young man? What if, Sliding Doors-style, decisions made by him and his loved ones had sent him down a different path? What if his ardent patriotism had, instead, been in support of the British cause?

In a captivating new book by Virginia DeJohn Anderson, a professor of history at the University of Colorado in Boulder, we are presented with an actual historical example — a contrasting figure nearly forgotten — to use for this thought experiment.

THE MARTYR AND THE TRAITOR
Nathan Hale, Moses Dunbar, and the American Revolution
by Virginia DeJohn Anderson
Oxford University Press

The story of Moses Dunbar is the flip-side to the Hale legend. The two Connecticut men were similar in a great many ways (although Dunbar was older) but circumstances led them to different causes.

Dunbar’s story is far less known than Hale’s of course. Hale was proclaimed a true patriot early in the Revolutionary conflict, and those with documents and information about the young schoolmaster proudly preserved them. His story is richly documented and well embroidered.

The opposite is true of Dunbar; he was hung in disgrace after returning home from a mission to recruit British sympathizers among his countrymen. It’s said that Dunbar’s own father offered to provide the rope.

Detail of Amos Doolittle, Connecticut From the best Authorities, first printed by Matthew Carey, Philadelphia, Pennsylvania, 1795. (Courtesy, Connecticut Historical Society via Chipstone.)

Anderson tells both of their stories in parallel, and for a time, the reader can experience this book as an excellent social history of life in Connecticut in the mid 18th century — the degrees in which religion, marriage, education and land ownership play a defining role in an individual’s fate.

Dunbar became an Anglican, tied to the Church of England in a time with anti-British fervor was sweeping the countryside. In fact, there are moments when Dunbar seems far more radical than Hale (who, with his Yale education, is exposed to other feisty young men and books full of eye-opening revolutionary beliefs).

Courtesy Brown University Digital Repository

The most vivid portions of Anderson’s well-researched and excellently paced history involve violent attempts by anti-British mobs. Writes Anderson:

“As the weeks passed, Anglicans in general, not just clergy, became target of attacks if they did not announce their opposition to Britain. In East Haddam  a seventy-year-old Anglican parish clerk was yanked out of bed on a cold night, stripped, and beaten …… Rumors began circulating that Anglican clergy, in league with the detested Samuel Peters and with the approval of their congregations, were plotting to enslave the colony.”

Below: Nathan Hale’s schoolhouse in East Haddam, CT

NYPL

Dunbar was radicalized by his environment and, observing such displays in his community, chose church (and, by extension, Great Britain) over country. His decision would destroy him and even lead his disgraced family into vigorously supporting the American cause.

In The Martyr and the Traitor, in putting Hale and Dunbar on equal footing, Anderson underscores the intensity of the moment and the uncertainty of its outcome. Hale’s patriotism seems all the more brave but so too does Dunbar’s intransigence.

Both men died on the noose away from loved ones; their ends embody the chaos and certain danger of the Revolutionary War.

 

 

Categories
Friday Night Fever

Webster Hall will return: The end of an era for NYC’s oldest party room

When news circulated this week that East Village nightclub Webster Hall would be closing for renovation in August, people understandably freaked out. It seems we’re losing historically significantly places at an alarming rate, places that seem to take a little bit of New York City’s personality with them when they disappear forever.

It was announced earlier this year that the venue was switching to new corporate owner Barclays/AEG/Bowery Presents in an effort to “bring them up to contemporary standards and add a few more customer features.” For many people, that’s code for stripping a place of its charm.

But don’t panic! This change is but the latest for this storied party venue. The hall has had many facelifts over the past 130 years, evolving to mirror the tastes of Greenwich Village residents. Indeed this corporate upgrade is a belated reflection of the neighborhood’s various sleek changes. (The projected renovations seem positively mild in comparison to the blistering reinvention of Astor Place.)

In 2008 Webster Hall was designated a New York City landmark for its impressive terra-cotta architecture and its status as a beacon of ethnic and social counter-culture during the late 19th and early 20th centuries.

As we wrote in our book Adventures In Old New York: “Opened in 1886, the hall hosted the annual Greenwich Village Ball from the 1910s to the 1930s, a bacchanalia where artists, bohemians, drag queens, and general reprobates of the best kind came to drink, dance, and seriously make merry until early morning. It worked hard to earn its nickname “the devil’s playhouse.”

Author Allan Church wrote, “So many dances-till-dawn and fancy dress balls were held there that one Villager said of himself and his wife: ‘We’ve sold our bed. Why sleep when there’s a dance every night at Webster Hall?’ ”

—————

In celebration of its new landmark status, we recorded an entire episode on the history of Webster Hall back in January 2009. In 2015, some additional material was added to the show.  Listen to it here or look for it in our Bowery Boys Archive feed (episode #73):

We look forward to visiting the new Webster Hall but of course we’ll be swinging by before August 5 to bid adieu to present incarnation.  Here’s a few clippings from old newspapers, giving you a few additional insights into Webster Hall’s spectacular history:

Webster Hall was rebellious before it even opened. St. Ann’s, the church which most vigorously decried its existence, has all been erased except for its entrance:

In 1887 Webster Hall played host to a private dance for wealthy black New Yorkers, members of the Doctors’ Drivers’ Association, “a band of athletic young gentlemen who are always on the alert to bear physicians on errands of mercy.”

A depiction of the baseball scoreboard that was installed by the New  York Evening World to ‘instantaneously’ update baseball scores from Boston in 1890. [The complete article is here.]

New York Evening World
New York Evening World

1

 

The party rages at a Webster Hall costume ball, in a photo by the great Jessie Tarbox Beals. Just click into this photo for a closer view and observe the bizarre costumes.

Courtesy Schlesinger Library
Courtesy Schlesinger Library

 

Garment workers meet out in front of Webster Hall, between 1910-1915.  The venue was a pivotal meeting spot for union groups, political activists and anarchist leaders like Emma Goldman.

Courtesy Library of Congress
Courtesy Library of Congress

 

Greek immigrants gather in front of Webster Hall as they prepare to return to their country to engage in the first Balkan war (October 1912).

Courtesy Library of Congress
Courtesy Library of Congress

Courtesy Library of Congress
Courtesy Library of Congress

From a 1930 article:

 

A 1933 poster advertising the annual Greenwich Village costume ball, designed by John Sloan

Courtesy Ephemeral New York
CourtesyLibrary of Congress

 

The cast of ‘How To Succeed In Business Without Really Trying’ recording the cast album at Webster Hall, 1961.

cast

 

Jefferson Airplane’s first New York concert, January 8, 1967, at Webster Hall

(Photo by Michael Ochs Archives/Getty Images)
(Photo by Michael Ochs Archives/Getty Images)

 

Run DMC performing at The Ritz, May 15, 1984

Photograph by Josh Cheuse/updownsmilefrown
Photograph by Josh Cheuse/updownsmilefrown

 

 

Categories
American History

How American Newspapers Reported the New York Blackout of 1977

Forty years ago today, New York City was plunged into darkness. The city has certainly seen longer blackouts in its history but none as violent or as deadly in its effects than the Blackout of 1977. The deteriorating city, in the midst of a withering heat wave, was ill-equipped for such emergencies. Hundreds of stores were looted and  fires ravaged many neighborhoods.

For more details on the blackout, we have a couple podcasts which explore certain aspects of the event. The third part of our Bronx Trilogy — The Bronx Was Burning — focuses on that particular borough during the Blackout of 1977. And believe it or not, our fifth-ever Bowery Boys podcast was also about the Blackout, recorded on the 30th anniversary:

Here’s how the blackout and subsequent riots were reported in newspapers across the country in the days that followed.

While the first day’s reports focused on the basic facts, most naturally chose to zero in on the looting by the second and third days. These images of the blackout would linger in the minds of Americans far longer than images of the darkened skyline.

Fort Myers, Florida

The Press Democrat — Santa Rosa, California

Pittsburgh Post Gazette — Pittsburgh, Pennsylvania

The Baltimore Sun — Baltimore, Maryland 

 

Fort Lauderdale News — Fort Lauderdale, Florida

 

Fairbanks Daily News-Miner — Fairbanks, Alaska

Honolulu Star-Advertiser — Honolulu, Hawaii

The Clarion-Ledger — Jackson, Mississippi

St. Louis Post-Dispatch — St. Louis, Missouri

Idaho State Journal — Pocatello, Idaho

 

Surveying a number of newspapers from across the country, I observed that the three wire-service photographs that appeared to be most frequently published were:

Corbis

AP

 

The PBS American Experience documentary on the Blackout of 1977 is streaming for free on their website.

Categories
Bowery Boys Bookshelf

Down The Up Staircase: A Century of Black Lives In A Crumbling Old House

The extraordinary house at the heart of Down the Up Staircase is currently for sale.  “411 Convent Avenue is a House located in the Hamilton Heights neighborhood in Manhattan, NY,” the blog Street Easy dryly notes.  “411 Convent Avenue was built in 1901 and has 3 stories and 1 unit.”

Bruce D. Haynes, a professor of sociology at the University of California, Davis, grew up in this house, observing the latter years of its steady, graceful decline. His grandparents had moved into the townhouse in 1944 and his parents had remained within it their entire lives, even through a contentious marriage. Bruce grew up there with his two brothers George and Alan. One of them would meet a tragic end during the fateful summer of 1976.

Down The Up Staircase:
Three Generations of a Harlem Family
by Bruce D. Haynes and Syma Solovitch
Columbia University Press

At the start of Haynes’ remarkable memoir and social history, the gracious house on Convent Avenue has become a homey nest of memory and quirk. “The water to the basin had been shut off,” writes Haynes, “and the pipes were concealed by a Japanese tapestry as a formal living room and our parents’ bedroom.”

The house has not simply been transformed by familial necessity; it has been changed by the history of Harlem itself. Down the Up Staircase (cowritten by Syma Solovitch) documents the lives of three families who seem to have felt every tumultuous shift and been present, in some form, in every major milestone in black American life.

Every page of this historical, often unapologetically nostalgic, narrative feels personal, never letting the detours into historical context bog it down with extraneous detail.

The authors have one true civil rights hero among its characters — Haynes’ grandfather George Edmund Haynes (pictured above), co-founder of the National Urban League — but it’s his flawed legacy as a husband and father that reverberate into the lives of those that follow his footsteps through the house on Convent Avenue.

More impactful to the author was a portrait of George Edmund, painted by Laura Wheeler Waring, found tucked away in the attic. “Why had [Bruce’s father] never spoken of it? Why was it consigned to the attic?”

And then there’s Daisy, Bruce’s mother, an individual who steps out from the pages and into your parlor, in her finest fur. “Everybody knew and loved Miss Daisy, as they called her, and treated her like a queen. She had the airs and manners of a grand lady, a Southern belle, and she carried herself like royalty.”

Daisy was a stunning product of upper Manhattan’s black bourgeoisie, upper and middle class African-Americans who matched their white Fifth Avenue counterparts in dress, demeanor and aspiration. Her sons would later reject this assimilation aesthetic, with the 1950s and 60s bringing about an empowered and politically engaged black identity separate from the mainstream.

My favorite section of Down the Up Staircase — a section I’ve re-read about four times now — involves the clash of these two identities at a place called Raymond’s Beauty Shop and the various street hustlers who collected on the street corner out front. As Haynes describes the establishment’s owner:

“Before the word disco became popularized or Patti LaBelle put on a gold and silver lamè spacesuit, Raymond would dazzle the denizens in his nighttime attire. In the photographs he hung up or passed around at his shop,  he looked as much the diva as Patti ever did, dressed in three-inch platform shoes, silver lamè cape and thick makeup.

But Disco Raymond only came out at night. By day, he played the role of Harlem ladies’ man. His nails were manicured and he wore Italian shoes and hip-hugging dress slacks under his apron.  He was charismatic, could carry a tune, and drew the attentions of men and women alike.”

Down The Up Staircase is more than a story of a family, far more than the chronology of a home. And yet the entire tale — the story of the black experience in the 20th century — feels like it’s being very intimately told to you  from the parlor.

 

 

Pictured at top: Convent Ave, south from 148th St., photographed by Thaddeus Wilkerson, courtesy the Museum of the City of New York

Categories
Bridges

Visit the glorious High Bridge, New York’s tribute to the ancient world

The thirst for water has transformed New York.

The Dutch were sold on the island’s placement in the harbor at the mouth of the mighty Hudson River, making it a convenient waypoint for explorers and traders. Soon its ports had built the foundation for New York’s and later America’s financial sector.

The city’s most influential nineteenth-century businessman, Cornelius Vanderbilt, got his feet wet in business first with ferries and steamships before building his mighty railroad empire. Manhattan is surrounded by water, and yet early New York would almost be undone due to a lack of it.

Traces of the city’s centuries-long quest for clean drinking water can be found from the island’s tip to its top from the site of spring water wells down in Bowling Green to the relics of old water systems..

But no monument to freshwater dominates quite like the High Bridge, the Romanesque wonder linking Manhattan to the Bronx over the Harlem River.

Courtesy NYPL

For many decades this majestic artifact, seemingly plucked from the hills of ancient Gaul, was a vital link in that great engineering triumph: the Croton Aqueduct.

With the dense river traffic below and the icky-brackish composition of the surrounding rivers, early New Yorkers had to look beyond their waterways for drinking water. They dug cisterns and hunted down springs, but these couldn’t support the growing city.

By the late eighteenth century, Collect Pond, a so-called freshwater source located northeast of today’s City Hall, had become polluted by the industries that surrounded it, and valiant efforts to bring water from other sources during the Colonial era were dampened by debt and war.

Courtesy MCNY

In 1799 future vice president/murderer Aaron Burr hatched a grand business plan to construct a reservoir system that would distribute water via an elaborate network of hollowed-out logs. (Above: The reservoir and grandest structure of the Manhattan Company system, pictured here in 1825.)

Unfortunately for parched New Yorkers, he ended up using most of the funding for his company to establish a successful bank instead. More than a century and a half later, Manhattan Company merged with Chase National Bank to become Chase Manhattan, known today simply as Chase, one of the largest banks in the world. But his water distribution efforts ended up being woefully inadequate, and left Manhattan high and dry.

NYPL

By the 1830s the city was on the verge of a health crisis, as putrid water, poor sanitation, and all-around squalid living conditions culminated in a series of health epidemics and breakouts—which only heightened the urgent need for clean water.

In April 1835 New Yorkers were so desperate for a freshwater supply that they voted in favor of a seemingly impossible plan: a pipeline that would bring the pure waters of the Croton River, forty miles north in Westchester County, down to city residents. Only underscoring the emergency, eight months later the Great Fire of 1835 would ravage the city. The aqueduct couldn’t be constructed quickly enough.

Wikipedia

The elaborate project employed thousands of mostly Irish immigrants for many years (1837-1842). They constructed a sophisticated system of iron piping and brick masonry, which drew upon gravity to run the water through pipes and over arches, across the lush terrain of Westchester, and through the small towns that would later form the nucleus of the Bronx.

But how would the water get into the island of Manhattan? The aqueduct’s architects would need to find a way to keep it flowing across the Harlem River. Drilling technologies were not advanced enough in the 1840s to allow for a tunnel, so planners thought bigger — and higher.

NYPL

The High Bridge, at an elegant 1,450 feet long, is the oldest surviving bridge in New York. Completed in 1848, it not only brought the Croton water into the city, but it also made one heck of a statement noticed around the world.

New Yorkers had pulled off a technological miracle, borrowing engineering and architecture principles not attempted, on this scale, since the glory days of the Roman Empire. They were changing the course of one river forty-one miles away and sending its waters high above another.

“Water! Water!” wrote diarist and former mayor Philip Hone on October 12, 1842, “is the universal note which is sounded through every part of the city, and infuses joy and exultation into the masses.”

When the water was finally turned on — flowing on October 14, 1842 — the city threw a bash bigger than any since the expulsion of the British in 1783.

The water flowed through pipes across the High Bridge and to a receiving reservoir in the area of today’s Central Park, and from there to a distributing reservoir at 42nd Street and Fifth Avenue.

From there it moved through the city, eventually to City Hall Park, where good, clean water shot high into the air and down into the City Hall fountain, to the delight of the public. Imagine— enough water to waste in a fountain!

(At the time of the celebration, the High Bridge had not yet been completed, so Croton water crossed a temporary low bridge. The lofty span replaced the modest one a few years later.)

Below: New Yorkers gathering at City Hall in celebration at the completion of the Croton water system. For more information, check out our podcast on the construction of the Croton Aqueduct

NYPL

But the celebrated new system struggled to keep up with the demands of the growing city. In 1872, as masses of new arrivals from far-off lands crammed into tenements, an attractive water tower was constructed near the High Bridge to help increase the water pressure into the city.

The High Bridge and tower in 1915

By this time the High Bridge itself had turned into an attraction, a festive promenade where young gentlemen and their parasol-clinging lady companions could stroll, taking in the striking views of the still-forested landscape that surrounded them, while millions of gallons of clean water coursed beneath their feet.

MCNY

But New York, growing larger every day, would need more water. Much, much more. The introduction of indoor plumbing would require an entirely new and much larger Croton system to be built, which opened in 1890 and employed the massive Jerome Park Reservoir in the Bronx to satisfy the demand.

But alas, with a million flushes came the end of the High Bridge as an active part of the water system. Its function replaced by unromantic pipes buried underground, the bridge and water tower were retired from service by 1949, and soon these structures modeled after antiquity became historical relics themselves.

Below: The High Bridge, lost in a haze, photographed in 1920

MCNY

In a surprising twist given the unforgiving tendencies of city planners of the day, it was probably the beauty of the bridge and the tower that kept them from being ripped down in a bit of “progress.” Motorists along the Major Deegan Expressway took moments from their traffic jams to reflect on the possible story behind these strange and magnificent artifacts, which grew more incongruous as the modern highway system developed around them.

MCNY

Two years ago this month, the High Bridge was restored, not for the movement of water but for those visitors and their parasols (replaced by headphones, we imagine) to enjoy a one-of-a-kind perspective on their buzzing metropolis.

If you go — or rather, when you go, because you really must see it — reflect upon the water that once passed below you. It helped this city grow.

HOW TO GET TO THE HIGH BRIDGE

Mass Transit: Take the A/C or the 1 train to 168th Street, get out and walk east. OR the M101 bus takes you right up to Highbridge Park

On the Bronx side, you can take the 4 train to Mt Eden Ave but it’s a bit of a walk west. Instead take the Bx11 or Bx13 bus

From the NYC Parks website:

“If you are entering the High Bridge from the Manhattan side, please enter Highbridge Park at West 172nd Street and Amsterdam Avenue and walk east to the High Bridge Water Tower Terrace staircase down to the bridge level. If entering from the Bronx side, enter at University Avenue and 170th Street in Highbridge, Bronx.”

Some images from my trip there in November. It’s three times as beautiful now!

The above is an excerpt from our book The Bowery Boys Adventures In Old New York, now available at bookstores everywhere.